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by John Siau November 05, 2020
Many Benchmark customers are using their AHB2 power amplifiers with REL subwoofers. This application note shows how to connect one or two AHB2 amplifiers to one or two REL subwoofers using the speaker outputs on the back of the AHB2 amplifiers.
The MODE switch in the lower right-hand corner sets the AHB2 to stereo or mono mode. In stereo mode, the outputs of the AHB2 are conventional unbalanced outputs. In mono mode, the output of the ABH2 is balanced.
The two red binding posts (1+ and 2+) on the AHB2 are driven by the amplifier outputs. The black terminals (1- and 2-) are the ground returns for each of the two channels. We will use one of these speaker ground returns as a connection point for the REL ground wire. Notice that the SpeakON connectors provide access to the same set of outputs. In stereo mode, the left speaker is connected between 1+ and 1- using the binding posts or the SpeakON connectors. The right speaker is connected between 2+ and 2-.
Notice that the 1+ post is labeled M+ and the 2+ post is labeled M-. These are the outputs for mono operation. The speaker is connected between M+ and M- using either the binding posts or the SpeakON connectors. In mono mode, M- is an inverted version of M+.
REL supplies a cable with yellow, red and black wires that connect to the speaker output terminals on a power amplifier. The SpeakON connector plugs into the back of the REL subwoofer. The yellow and red wires deliver speaker-level inputs to the REL, but draw no power from the amplifier. The black wire is a signal ground reference for the speaker inputs. The yellow and red inputs are summed together in the REL. This summing allows the input of a left and right channel which will be summed to a single subwoofer. The yellow, red and black spade terminals will need to be connected to the binding posts on the back of the AHB2 power amplifier. We recommend connecting your speakers to the SpeakON connectors on the back of the AHB2 while reserving the binding posts for the REL cable.
Please read these instructions carefully because the yellow, red and black connection assignments will vary according to one of the following system configurations:
Caution: Never connect the REL BLACK wire to a RED binding post on the AHB2. This will short the output of the AHB2 ground and put it into protection mode. It could also damage the REL subwoofer.
Adjust the level of the REL subwoofer by turning the control on the back of the unit.
https://rel.net/how-to-connect-my-rel/
by Benchmark Media Systems November 20, 2024
Most digital playback devices include digital interpolators. These interpolators increase the sample rate of the incoming audio to improve the performance of the playback system. Interpolators are essential in oversampled sigma-delta D/A converters, and in sample rate converters. In general, interpolators have vastly improved the performance of audio D/A converters by eliminating the need for analog brick wall filters. Nevertheless, digital interpolators have brick wall digital filters that can produce unique distortion signatures when they are overloaded.
An interpolator that performs wonderfully when tested with standard test tones, may overload severely when playing the inter-sample musical peaks that are captured on a typical CD. In our tests, we observed THD+N levels exceeding 10% while interpolator overloads were occurring. The highest levels were produced by devices that included ASRC sample rate converters.
by John Siau April 05, 2024
Audiophiles live in the wild west. $495 will buy an "audiophile fuse" to replace the $1 generic fuse that came in your audio amplifier. $10,000 will buy a set of "audiophile speaker cables" to replace the $20 wires you purchased at the local hardware store. We are told that these $10,000 cables can be improved if we add a set of $300 "cable elevators" to dampen vibrations. You didn't even know that you needed elevators! And let's not forget to budget at least $200 for each of the "isolation platforms" we will need under our electronic components. Furthermore, it seems that any so-called "audiophile power cord" that costs less than $100, does not belong in a high-end system. And, if cost is no object, there are premium versions of each that can be purchased by the most discerning customers. A top-of-the line power cord could run $5000. One magazine claims that "the majority of listeners were able to hear the difference between a $5 power cable and a $5,000 power cord". Can you hear the difference? If not, are you really an audiophile?
by John Siau June 06, 2023
At the 2023 AXPONA show in Chicago, I had the opportunity to see and hear the Hill Plasmatronics tweeter. I also had the great pleasure of meeting Dr. Alan Hill, the physicist who invented this unique device.
The plasma driver has no moving parts and no diaphragm. Sound is emitted directly from the thermal expansion and contraction of an electrically sustained plasma. The plasma is generated within a stream of helium gas. In the demonstration, there was a large helium tank on the floor with a sufficient supply for several hours of listening.
While a tank of helium, tubing, high voltage power supplies, and the smell of smoke may not be appropriate for every living room, this was absolutely the best thing I experienced at the show!
- John Siau