"The DAC2 DX had some of the lowest distortion of any DAC we have ever tested"
"Listening to my music collection via USB was a pleasure with this DAC. It had a very musical sound, reminding me of a Class A triode tube amplifier. When you check out the bench tests, you will see why."
"IMD was less than 0.001%, so I have to say, “Excellent”. See any peaks at 14 kHz, 21 kHz, etc? Neither can I. Now we know why the DAC2 has a bit of Class A triode in it. When peaks are present, they are only at the second harmonic, which is the triode signature."
"The DAC2is one of the few D/A converters that can handle intersample overs without DSP overloads or analog clipping. DSP overloads occur in most DACs and these cause bursts of non-harmonic distortion. Some DACs avoid the DSP overloads but still exhibit analog clipping of intersample peaks. In contrast, the DAC2 cleanly reproduces intersample peaks. This seems to be a big issue from an audibility standpoint when listening to CD-format and MP3-format sources."
"I have used Copland’s Fanfare for the Common Man as a test track more than any other. That is because it has everything: tremendous dynamics (it’s an early Telarc disc and there is no compression), very loud percussion, blaring brass, and whatever else you want to throw in there – it’s just a great recording."
"The sheen of the gong and bright overtones of the brass were stunning through the Benchmark DAC2 DX. This may be an old DAC in HiFi time, but it is certainly up to date in sound."
"The Benchmark DAC2 DX represents a product that was initially released several years ago. They perfected it over that time by small changes and addition of features. The result is a DAC that has virtually inaudible distortion, and a full set of codecs, all at a price of less than $2,000. This compares to some other DACs that are new and unproven in reliability. It makes sense to put aside that, “Got to have the latest and greatest,” attitude that most of us have, and consider a DAC that has had several years to work out all the bugs and really deliver a superior sound."
"For my money, the Benchmark DAC2 DX represents one of the best values in high end audio today."
"I'm asking because clearly Benchmark is a highly regarded company here, and plenty of ASR members own Benchmark amplification/DACs. We know they are top of the heap in terms of measured performance, outdoing plenty of the competition in terms of typical distortion measurements."
- @MattHooper, AudioScienceReview.com
AHB2, LA4, DAC3
Subtle aesthetics? Check.
Unobtrusive size? Check.
Solid build? Check.
Made in America? Check.
Best in class? Check.
Superior performance proven by Amir? Check.
Superior customer service? Check (and not just in audio world; best customer service I have experienced from any company, anywhere, ever).
Expensive? For me, yes. Limit of my budget, but buy once cry once.
"The afternoon before the start of the show I ran into John Siau of Benchmark Media Systems. He says to me quietly, “make sure you stop in our room, we have a surprise!” With curiosity suitably piqued, Co-Editor Jim Clements and I paid a visit ..."
"The results were pretty astonishing. A stable, enveloping stereo image that was devoid of any distortion whatsoever."
- Carlo Lo Raso, Secrets of Home Theater and High Fidelity
"Sound was extremely well-integrated and controlled, and the bass memorable."
"The Note received signal through the introductory version of the company's Liquid Cables. Each cable contains 27,000 wires. The company's introductory Elephant memory player joined Benchmark Media's AHB2 power amps, DAC3 B D/A processor, and interconnects."
"With the aid of a forthcoming DEQX HDP4 processor that's due in the fall, the system sounded super on a 16/44.1 file of the famed rendition of Copland's Fanfare for the Common Man, recorded by Eiji Oue and the Minnesota Orchestra for Reference Recordings."