DAC3 HGC - "A maestro of any musical genre."
"The DAC3 HGC has a servo-driven, knurled volume control. Raising or lowering the volume via the remote control physically moves the volume control on the DAC3. When you move the volume control by hand, you can’t help but love its smooth, precise motion."
Unboxing the DAC3 is an audio geek’s dream. You’re greeted by a spiral-bound, 8.5 x 11-inch color user manual. New users would do well to review its contents.
"The manual shows you how to fine-tune many of the DAC3’s settings ... the Benchmark DAC3’s design puts you in complete control of its operational parameters."
"The Benchmark DAC3 HGC looks like a premium product as you hold it. It feels dense and solid for its small size. The rear digital and analog inputs and outputs are gold plated to limit oxidation."
"Benchmark’s infrared remote control stands apart from the crowd. Its hefty, die-cast aluminum design puts it in sharp contrast to most of today’s remotes."
"The Benchmark DAC3’s DAC, headphone, and preamp functions are outstanding. I tested the preamp section with two of the company’s AHB2 power amplifiers with the amps set to bridged mono. I paired a set of of RBH Sound’s top-of-the-line Signature SV-1212NR Reference speakers with the amps; served content via an Oppo UDP-205 universal disc player, Roon Media server, and Tidal; and used Focal Clear, Oppo PM-2, and Beyerdynamic Amiron Home headphones in my listening tests."
"Jazz, hip-hop, classical, or rock, the Benchmark DAC3 proved a maestro of any musical genre, consistently demonstrating tremendous balance, refinement, neutrality, and most of all, command."
"The DAC3 HGC is undeniably geared toward the discerning music lover or audio engineer who values peak performance. If you’re passionate about music, have the funds, and aren’t looking for bells and whistles, you can’t go wrong with Benchmark’s DAC3 HGC. Pair it with the right headphones and you’ll have many days and nights of sonic bliss."
- Theo Nicolakis, Tech Hive
"This contest produced another tie, and yet another contrast between two wildly different philosophies—economical, if not technical. As Jim Austin pointed out in his initial review, the DAC3 HGC D/A processor from Benchmark Media Systems—a company known for making pro-audio as well as domestic-audio gear—sells for less than the price of certain high-end interconnects. The dCS Vivaldi D/A processor sells for 16 times the Benchmark's price, and in our pages was first reviewed, by Michael Fremer, as part of a $114,996 dCS digital front end."
"Both DACs impressed their respective reviewers with magnificent sound—and in his measurements for both, John Atkinson offered the same one-word conclusion: "Wow!""
"In my September 2018 column, I wrote of my discovery of miniDSP's U-DIO8, which converts multichannel data fed to its USB port to eight S/PDIF or AES-EBU outputs at resolutions of up to 24-bit/192kHz. Armed with a U-DIO8, you can use three or four of your choice of stereo DAC."
"I went commando with the DAC3s directly connected to the three AHB2s. All three DAC3s were set to Home Theater Bypass, and I used JRiver Media Center's volume control."
"For the first time I can recall, I heard no noise from my system, even with an ear flush against a tweeter."
"I know that we audiophiles can obsess about small changes and make them seem more important than they actually are, but that's what this hobby is about: Eliminating as many audible flaws as possible, however tiny. In this case, the effect was striking at first listen, and endured through everything I played, even tracks that had troubled me before."
- Kal Rubinson, Stereophile
"RMAF 2018 was really good, with significant numbers of attendees, and more new-product introductions than I remembered ever seeing there."
"Led by engineer John Siau and based in Syracuse, New York, Benchmark Media Systems has built a sterling reputation for making compact, well-engineered, moderately priced electronics that challenge the state of the art, both on the test bench and in the listening room."
"What I took notice of were the specifications: total harmonic distortion of less than 0.00006%, and a signal/noise ratio exceeding 135dB from 20Hz to 20kHz."
"If those claims are true, and there’s no reason to believe they aren’t -- Benchmark gear has always performed as specified on the test bench -- the LA4 should be about as transparent-sounding a line-stage as you can find at any price."
- Doug Schneider, SoundStage! Hi-Fi