Will the HPA2 Drive My Headphones?
Will the HPA2™ Drive My Headphones?
Benchmark DAC1 and DAC2 converters are equipped with Benchmark’s HPA2™ headphone power amplifier. This is a high-current design with very low output impedance (less than 0.1 Ohms). It is capable of driving a wide variety of headphones while achieving extraordinarily low distortion. The full rated performance of the DAC1 is achieved at the headphone jack while driving two sets of headphones. THD+N is less than 0.0003% under full load. The HPA2™ may be the quietest and cleanest headphone amplifier available.
The HPA2™ also has sufficient output level to drive any headphone well beyond normal listening levels. For this reason, the HPA2™ in the DAC1 USB is equipped with gain programming jumpers that can be used to reduce the gain by 10 dB. We recommend using the 10 dB attenuation setting with the Sennheiser headphones.
The HPA2™ in the DAC1 PRE, DAC1 HDR, DAC2 HGC, DAC2 D, and DAC2 DX converters has an additional 20 dB attenuation setting. This setting is recommended for high-sensitivity headphones. Headphones having a low input impedance (30 to 60 Ohms) often have high sensitivity and we recommend the 20 dB attenuation setting for these headphones.
The attenuation is inserted before the HPA2™ headphone amplifier. This attenuator location keeps the output impedance of the HPA2™ constant and very near 0 Ohms. External attenuators should never be inserted after a headphone amplifier as this would change the output impedance.
Proper attenuator settings are important for maximizing the SNR of the headphone monitoring system. With proper settings, the full performance of the DAC2 can be delivered to the headphones for critical monitoring tasks, or maximum musical enjoyment.
When the headphone attenuation jumpers are set properly, a normal listening level will be achieved between the 10 o'clock and 2 o'clock volume control positions. If a normal listening level is achieved below a 10 o’clock volume-control position, the headphone gain is too high, and the attenuation should be increased. If the level is too low at a 2 o'clock volume control position, the headphone gain is too low, and the attenuation should be decreased.
The 0-Ohm output impedance provides outstanding control of the headphone drivers. This improves bass damping, reduces distortion, and flattens the frequency response.
DAC1 and DAC2 converter families were designed from the ground up to be headphone amplifiers with line outputs. The large power supplies in the DAC1 and DAC2 converters are necessary to support the demanding power requirements of the HPA2™ headphone power amplifier.
Additional reading:
More information on headphones and headphone amplifiers can be found here.
Also in Audio Application Notes
What is the Purpose of an FFT in Audio Measurements?
The FFT … an Audio Microscope.
An FFT analyzer is like an audio microscope. It allows us to easily measure the frequency and amplitude of tones that are below the level of the noise. Traditional audio meters fail when the signal is lower than the noise level, but with an FFT, we can accurately measure tones that are 30 to 40 dB below the level of the noise.
In many ways, our ears behave like an FFT audio measurement system. Our ears can detect the frequency and amplitude of tones that are as much as 30 dB below the ambient noise. This means that our ears are 30 dB better than traditional audio meters! This is why we can carry on a conversation in a noisy room, and this is why we can hear individual instruments within an orchestra. This is also why small defects need to be detected and corrected when designing top-quality audio gear.
John Siau, Benchmark’s lead Engineer, will explain the “magic” of the FFT analyzer without the use of advanced mathematics. He will show an FFT analyzer in action, and he will measure a complete Benchmark chain to determine if it produces audible noise or distortion. Learn how to read an FFT plot and learn what to look for when selecting audio components.
Interpolator Overload Distortion
Most digital playback devices include digital interpolators. These interpolators increase the sample rate of the incoming audio to improve the performance of the playback system. Interpolators are essential in oversampled sigma-delta D/A converters, and in sample rate converters. In general, interpolators have vastly improved the performance of audio D/A converters by eliminating the need for analog brick wall filters. Nevertheless, digital interpolators have brick wall digital filters that can produce unique distortion signatures when they are overloaded.
10% Distortion
An interpolator that performs wonderfully when tested with standard test tones, may overload severely when playing the inter-sample musical peaks that are captured on a typical CD. In our tests, we observed THD+N levels exceeding 10% while interpolator overloads were occurring. The highest levels were produced by devices that included ASRC sample rate converters.
Audiophile Snake Oil
The Audiophile Wild West
Audiophiles live in the wild west. $495 will buy an "audiophile fuse" to replace the $1 generic fuse that came in your audio amplifier. $10,000 will buy a set of "audiophile speaker cables" to replace the $20 wires you purchased at the local hardware store. We are told that these $10,000 cables can be improved if we add a set of $300 "cable elevators" to dampen vibrations. You didn't even know that you needed elevators! And let's not forget to budget at least $200 for each of the "isolation platforms" we will need under our electronic components. Furthermore, it seems that any so-called "audiophile power cord" that costs less than $100, does not belong in a high-end system. And, if cost is no object, there are premium versions of each that can be purchased by the most discerning customers. A top-of-the line power cord could run $5000. One magazine claims that "the majority of listeners were able to hear the difference between a $5 power cable and a $5,000 power cord". Can you hear the difference? If not, are you really an audiophile?