John Watkinson, author of "The Art of Digital Audio" wrote:
"If the use of an exotic cable makes a DAC sound better, then the DAC is not performing adequately and should be repaired or redesigned. If the goal is actually to achieve high quality, rather than just claim it, then this is one of the fundamental tests a designer should use."
"As can be seen (from the graph above) the DAC1 easily operates with total freedom from jitter at the end of a 1000′ length of CAT5e data cable."
"Whoever heard of a DAC operating without jitter induced sidebands over 1000′ feet of garden variety data cable? Now that’s a properly engineered device!"
"Benchmark. That’s a loaded name for a component manufacturer. It brings to mind thoughts not only of quality build and performance but, for those philosophically inclined, also epistemological questions pertaining to the nature of high-end audio."
"Certainly one means of establishing a benchmark is through testing. Speaking of specifications, never have I seen such a cascade of specifications attached to a DAC as with the DAC1."
"Benchmark is willing to trot out every iota of information to assuage the objectively minded audiophile."
"The DAC1 was created with three target users in mind: the professional studio, home use by audio professionals, and audiophiles. Indeed, the DAC1 has been well received by studios and has made inroads into the audiophile community. It is feature-laden and smartly laid out."
"I conducted an informal online interview with John Siau, Director of Engineering at Benchmark Media."
According to John Siau:
“UltraLock is a clock isolation system. The incoming digital audio contains an embedded data clock that often contains high levels of jitter. UltraLock creates an impenetrable wall of separation between the high-jitter embedded data clock and a pristine fixed–frequency D/A conversion clock…Jitter from the transport cannot reach the D/A converter.”
"I’ve not heard any dac in a player or outboard that has coughed up as much miniscule movements in the music as the DAC1."
"It does what it claims; even a “low life” CDP’ can sound great with it! You can take a $100 (at least in my experience with the NAD player) cdp, hook it up to the DAC1 and get horribly good performance!"
"It’s more than a DAC, it’s a pretty doggone good preamp too!"
"It presents hyper-nuanced, super clean sound."
"The Benchmark is a clean, lean digitizing machine. It does set the standard at its price point for pure, unadulterated digital signals coming to your nearest amp(s)."
"If you’re after the most measurably perfect CD sound and endless detail, put it on your own test bench – your audio rack."
"I'm asking because clearly Benchmark is a highly regarded company here, and plenty of ASR members own Benchmark amplification/DACs. We know they are top of the heap in terms of measured performance, outdoing plenty of the competition in terms of typical distortion measurements."
- @MattHooper, AudioScienceReview.com
AHB2, LA4, DAC3
Subtle aesthetics? Check.
Unobtrusive size? Check.
Solid build? Check.
Made in America? Check.
Best in class? Check.
Superior performance proven by Amir? Check.
Superior customer service? Check (and not just in audio world; best customer service I have experienced from any company, anywhere, ever).
Expensive? For me, yes. Limit of my budget, but buy once cry once.
"The afternoon before the start of the show I ran into John Siau of Benchmark Media Systems. He says to me quietly, “make sure you stop in our room, we have a surprise!” With curiosity suitably piqued, Co-Editor Jim Clements and I paid a visit ..."
"The results were pretty astonishing. A stable, enveloping stereo image that was devoid of any distortion whatsoever."
- Carlo Lo Raso, Secrets of Home Theater and High Fidelity
"Sound was extremely well-integrated and controlled, and the bass memorable."
"The Note received signal through the introductory version of the company's Liquid Cables. Each cable contains 27,000 wires. The company's introductory Elephant memory player joined Benchmark Media's AHB2 power amps, DAC3 B D/A processor, and interconnects."
"With the aid of a forthcoming DEQX HDP4 processor that's due in the fall, the system sounded super on a 16/44.1 file of the famed rendition of Copland's Fanfare for the Common Man, recorded by Eiji Oue and the Minnesota Orchestra for Reference Recordings."