DAC1 Review - Doug Schroeder, dagogo
DAC1 - "A clean, lean digitizing machine"
John Watkinson, author of "The Art of Digital Audio" wrote:
"If the use of an exotic cable makes a DAC sound better, then the DAC is not performing adequately and should be repaired or redesigned. If the goal is actually to achieve high quality, rather than just claim it, then this is one of the fundamental tests a designer should use."
"As can be seen (from the graph above) the DAC1 easily operates with total freedom from jitter at the end of a 1000′ length of CAT5e data cable."
"Whoever heard of a DAC operating without jitter induced sidebands over 1000′ feet of garden variety data cable? Now that’s a properly engineered device!"
"Benchmark. That’s a loaded name for a component manufacturer. It brings to mind thoughts not only of quality build and performance but, for those philosophically inclined, also epistemological questions pertaining to the nature of high-end audio."
"Certainly one means of establishing a benchmark is through testing. Speaking of specifications, never have I seen such a cascade of specifications attached to a DAC as with the DAC1."
"Benchmark is willing to trot out every iota of information to assuage the objectively minded audiophile."
"The DAC1 was created with three target users in mind: the professional studio, home use by audio professionals, and audiophiles. Indeed, the DAC1 has been well received by studios and has made inroads into the audiophile community. It is feature-laden and smartly laid out."
- Doug Schroeder, dagogo
"I conducted an informal online interview with John Siau, Director of Engineering at Benchmark Media."
According to John Siau:
“UltraLock is a clock isolation system. The incoming digital audio contains an embedded data clock that often contains high levels of jitter. UltraLock creates an impenetrable wall of separation between the high-jitter embedded data clock and a pristine fixed–frequency D/A conversion clock…Jitter from the transport cannot reach the D/A converter.”
"I’ve not heard any dac in a player or outboard that has coughed up as much miniscule movements in the music as the DAC1."
"It does what it claims; even a “low life” CDP’ can sound great with it! You can take a $100 (at least in my experience with the NAD player) cdp, hook it up to the DAC1 and get horribly good performance!"
"It’s more than a DAC, it’s a pretty doggone good preamp too!"
"It presents hyper-nuanced, super clean sound."
"The Benchmark is a clean, lean digitizing machine. It does set the standard at its price point for pure, unadulterated digital signals coming to your nearest amp(s)."
"If you’re after the most measurably perfect CD sound and endless detail, put it on your own test bench – your audio rack."
- Doug Schroeder, dagogo
Also in Reviews
Benchmark System Review - Ricky Dasler, Living Sound, New Zealand
"With over 40 years as an audiophile and more than half those years as a hi-fi retailer, I feel I’ve finally put together a stereo that ticks all my sonic boxes. Those being in order of priority, dynamics, scale, tonal accuracy, fatigue free resolution and soundstage."
"For the last 25 years I’ve been fortunate to have a dedicated listening room. I use acoustic treatments from Real Traps, Vicoustic and Primeacoustic."
"My Benchmark components consist of the DAC3 B (connected to a Naim NDS streamer), LA4 line amplifier and two AHB2 power amplifiers run in bridged mono mode. All cables are Benchmark too."
"The Benchmark gear in my system has brought what I have wanted in my list of sonic priorities as listed above and then some. They have delivered way beyond what I thought could be possible in my system in my room."
"I’m delighted and stunned daily as my vast music collection comes to life on a whole new level."
- Ricky Dasler, Living Sound, Nelson New Zealand.
Benchmark Converters at Abbey Road - Geoff Pesche
"What are the Latest Advancements in Mastering?"
"Geoff Pesche weighs in on how the mastering team at Abbey Road Studios achieve first-class results." - Mix with the Masters
"The biggest sonic improvement in mastering in the last 5 or 6 years is D/A and A/D converters and that's very very important - what you have at the front and the back of the chain."
"We use fairly new Benchmark converters front and back."
"Abbey Road like a uniformity between the rooms so all of the rooms have the same A/D and D/A conversion."
- Geoff Pesche, Mastering Engineer, Abbey Road Studios
DAC3 Review - Alan Sircom, hi-fi+
"A Damn Good, No-Frills Digital Converter"
"Benchmark Media Systems’ no-nonsense approach to all things audio is rare today."
"Uniformly Good"
"This is a DAC that’s uniformly good at everything. It resolves well, has good imaging properties."
"It makes a balanced, honest sound that allows you to sit and listen to music for hours. That is what makes Benchmark’s products consistently popular with audio engineers. You don’t want ‘bright’ if you sit at a mixing desk 10 hours a day. "
"Leave No Trace"
"It also has the latest version of Benchmark’s jitter attenuation system (UltraLock3) and doubles down on the digital demon with its multi-mode asynchronous USB system."
"Benchmark also uses the distortion compensation facilities built into the ESS chip to reduce second and third order distortion."
"The net result is a DAC that delivers lower distortion, lower noise, less passband ripple, faster signal switching and locking onto signals and a more linear frequency response."
"The Benchmark Media Systems DAC3 B is very much in the ‘leave no trace’ school of good audio."
- Alan Sircom, hi-fi+