ADC1 - "Highly recommended for serious applications"
"The ADC1 is expensive in comparison to typical mid-market converters such as those from RME, Lynx and Apogee (the Apogee Rosetta 200 is similarly priced but includes a stereo D-A stage as well, for example). However, I feel justified in suggesting that the ADC1 performs at a significantly higher level and compares more naturally with serious high-end products from the likes of Lavry, Prism Sound and dCS. In that context, the ADC1 represents substantial value for money, giving only a little away in terms of ultimate resolution."
"The Benchmark DAC1 impressed me so much that I felt compelled to own it. I suspect my bank manager will fear the same will apply to the ADC1. The long wait has certainly been worthwhile, as the ADC1 lives up to the excellent reputation established with the DAC1 and the pair form a perfect partnership. The ADC1 is highly recommended for serious applications."
"I'm asking because clearly Benchmark is a highly regarded company here, and plenty of ASR members own Benchmark amplification/DACs. We know they are top of the heap in terms of measured performance, outdoing plenty of the competition in terms of typical distortion measurements."
- @MattHooper, AudioScienceReview.com
AHB2, LA4, DAC3
Subtle aesthetics? Check.
Unobtrusive size? Check.
Solid build? Check.
Made in America? Check.
Best in class? Check.
Superior performance proven by Amir? Check.
Superior customer service? Check (and not just in audio world; best customer service I have experienced from any company, anywhere, ever).
Expensive? For me, yes. Limit of my budget, but buy once cry once.
"The afternoon before the start of the show I ran into John Siau of Benchmark Media Systems. He says to me quietly, “make sure you stop in our room, we have a surprise!” With curiosity suitably piqued, Co-Editor Jim Clements and I paid a visit ..."
"The results were pretty astonishing. A stable, enveloping stereo image that was devoid of any distortion whatsoever."
- Carlo Lo Raso, Secrets of Home Theater and High Fidelity
"Sound was extremely well-integrated and controlled, and the bass memorable."
"The Note received signal through the introductory version of the company's Liquid Cables. Each cable contains 27,000 wires. The company's introductory Elephant memory player joined Benchmark Media's AHB2 power amps, DAC3 B D/A processor, and interconnects."
"With the aid of a forthcoming DEQX HDP4 processor that's due in the fall, the system sounded super on a 16/44.1 file of the famed rendition of Copland's Fanfare for the Common Man, recorded by Eiji Oue and the Minnesota Orchestra for Reference Recordings."