AHB2 and DAC2 Review - The Poor Audiophile
DAC2 and AHB2 - "Absence of Noise and Distortion ... Beautiful Cloak of Silence"
"As I played album after album and track after track, I became increasingly sensitized to the absence of noise and distortion and the beautiful cloak of silence."
"It is so incredibly hard to put into words the experience that the DAC2 → AHB2 → Revel Ultima2 Salon setup produced. There was simply no distortion, no noise, just a blank stage. Regardless of genre, vocals and instruments popped to life and they did so with a almost true-to-life 'you are there' feel to them."
"The Salons are some of the most capable full-range speakers on the planet. When paired with the AHB2s in bridged mono, bass notes were the cleanest, most detailed, and most controlled I’ve ever heard out of the Salon2s."
"The delicate notes of violins resonated precisely, perfectly laid out and you were able to discern the tonal character of the strings and the warmth of the violin’s body. The resonant timbre of brass notes was spot on. The entire orchestra came together in a coherent, dynamic whole. If this is high-res music, then I will take it with joy every time. There wasn’t a single note where the DAC2/AHB2 combination didn’t bring out the immaculate character of the Salon2s. Crescendo!"
Also in Reviews
Benchmark Converters at Abbey Road - Geoff Pesche
"What are the Latest Advancements in Mastering?"
"Geoff Pesche weighs in on how the mastering team at Abbey Road Studios achieve first-class results." - Mix with the Masters
"The biggest sonic improvement in mastering in the last 5 or 6 years is D/A and A/D converters and that's very very important - what you have at the front and the back of the chain."
"We use fairly new Benchmark converters front and back."
"Abbey Road like a uniformity between the rooms so all of the rooms have the same A/D and D/A conversion."
- Geoff Pesche, Mastering Engineer, Abbey Road Studios
DAC3 Review - Alan Sircom, hi-fi+
"A Damn Good, No-Frills Digital Converter"
"Benchmark Media Systems’ no-nonsense approach to all things audio is rare today."
"Uniformly Good"
"This is a DAC that’s uniformly good at everything. It resolves well, has good imaging properties."
"It makes a balanced, honest sound that allows you to sit and listen to music for hours. That is what makes Benchmark’s products consistently popular with audio engineers. You don’t want ‘bright’ if you sit at a mixing desk 10 hours a day. "
"Leave No Trace"
"It also has the latest version of Benchmark’s jitter attenuation system (UltraLock3) and doubles down on the digital demon with its multi-mode asynchronous USB system."
"Benchmark also uses the distortion compensation facilities built into the ESS chip to reduce second and third order distortion."
"The net result is a DAC that delivers lower distortion, lower noise, less passband ripple, faster signal switching and locking onto signals and a more linear frequency response."
"The Benchmark Media Systems DAC3 B is very much in the ‘leave no trace’ school of good audio."
- Alan Sircom, hi-fi+
DAC3 - Award Nominee - Best Digital Audiophile Product of 2024 (Cost No Object)
2024 Nominees
- Benchmark Media DAC3 B DAC, $1895
- Bricasti M3 DAC, $6000
- Bricasti M19 CD-SACD Player, $10,000
- T+A DAC 200, $7620
- Weiss Engineering Helios DAC, $21,995
"There was some debate about whether anybody can hear the differences above a good Chi-Fi DAC like the Topping D90. Unless you are missing most of your high-frequency hearing, you can hear where a high-end DAC makes a difference."
The Bricasti M3 is a great example of that performance in a $6,000 DAC."
"The Benchmark DAC3 B is an audiophile DAC, with pro audio roots, that punches way above its weight."
