AHB2 Bench Test - John Atkinson, Stereophile
AHB2 - "An Extraordinary Amplifier ... at the Limits of What is Possible for Me to Reliably Test"
"Conventionally, it is assumed that the measurement system used to test a product is much better than the device under test."
"However, the Benchmark amplifier's specifications are close to those of my Audio Precision system, both regarding the purity of its signal generator and the dynamic range of its analyzer. Correctly characterizing the AHB2's measured performance would therefore present a challenge. And, to my embarrassment, one of the speaker cables with which I routinely measure amplifiers and my test load set to 4 ohms were also introducing small amounts of nonlinearity. These problems—and here I'm talking about the difference between 0.0003% THD+noise and 0.0005%—haven't affected the measured performance of other amplifiers I've tested, but they were detectable with the AHB2's very low intrinsic distortion and noise."
"The amplifier offers a flat audioband response into 8 ohms, with then a –3dB point close to a high 200kHz, which correlates with the superbly square waveform of a 10kHz squarewave into this load, with short risetimes and no overshoot or ringing."
"The AHB2's channel separation was superb at >110dB in both directions below 2kHz, and still 90dB at 20kHz."
"The AHB2 clipped at 108W into 8 ohms and 210W into 4 ohms, both powers slighter greater than those specified by Benchmark. In bridged-mono mode into 8 ohms ... the clipping point is now 410W, this also a little higher than Benchmark's specification."
"The Benchmark amplifier has a claimed S/N ratio "approaching 130dB," which, at 6.02dB per bit, is equivalent to more than 21-bit resolution. The wideband S/N ratio, measured in the high-gain, stereo condition with the input shorted to ground and ref. 1W into 8 ohms, was very high, at 89.3dB. Reducing the measurement bandwidth to 22Hz–22kHz increased the ratio to 106dB, while switching an A-weighting filter into circuit increased it further, to 108.5dB. Referenced to the AHB2's clipping power of 100W, this is equivalent to a dynamic range of 128.5dB, which is close to the specified 132dB. The S/N ratio did increase by around 3dB in the lowest-gain condition, implying that the specified ratio was measured in that mode."
"I performed a spectral analysis on the signal with the fundamental tone notched out, so that the full resolution of the Audio Precision's analyzer could be brought to bear on the distortion and noise with the AHB2 driving a 1kHz tone at 50Wpc into 8 ohms. To make the distortion harmonics stand out as much as possible from the level of random noise, I averaged 32 captures (footnote 1) to produce the graph shown in fig.10. (Note the expanded vertical scale in this graph.) The second and third harmonics lie at –128dB (0.00004%) and –124dB (0.00006%) with respect to what would have been the level of the fundamental; both are close to the residual distortion in the Audio Precision's signal generator (fig.11)."
"Benchmark Media Systems' AHB2 is an extraordinary amplifier. Not only does its performance lie at the limits of what is possible for me to reliably test, it packs high power into a very small package, especially when used in bridged-mono mode. It is truly a high-resolution amplifier."
- John Atkinson, Stereophile
Also in Reviews
Benchmark Converters at Abbey Road - Geoff Pesche
"What are the Latest Advancements in Mastering?"
"Geoff Pesche weighs in on how the mastering team at Abbey Road Studios achieve first-class results." - Mix with the Masters
"The biggest sonic improvement in mastering in the last 5 or 6 years is D/A and A/D converters and that's very very important - what you have at the front and the back of the chain."
"We use fairly new Benchmark converters front and back."
"Abbey Road like a uniformity between the rooms so all of the rooms have the same A/D and D/A conversion."
- Geoff Pesche, Mastering Engineer, Abbey Road Studios
DAC3 Review - Alan Sircom, hi-fi+
"A Damn Good, No-Frills Digital Converter"
"Benchmark Media Systems’ no-nonsense approach to all things audio is rare today."
"Uniformly Good"
"This is a DAC that’s uniformly good at everything. It resolves well, has good imaging properties."
"It makes a balanced, honest sound that allows you to sit and listen to music for hours. That is what makes Benchmark’s products consistently popular with audio engineers. You don’t want ‘bright’ if you sit at a mixing desk 10 hours a day. "
"Leave No Trace"
"It also has the latest version of Benchmark’s jitter attenuation system (UltraLock3) and doubles down on the digital demon with its multi-mode asynchronous USB system."
"Benchmark also uses the distortion compensation facilities built into the ESS chip to reduce second and third order distortion."
"The net result is a DAC that delivers lower distortion, lower noise, less passband ripple, faster signal switching and locking onto signals and a more linear frequency response."
"The Benchmark Media Systems DAC3 B is very much in the ‘leave no trace’ school of good audio."
- Alan Sircom, hi-fi+
DAC3 - Award Nominee - Best Digital Audiophile Product of 2024 (Cost No Object)
2024 Nominees
- Benchmark Media DAC3 B DAC, $1895
- Bricasti M3 DAC, $6000
- Bricasti M19 CD-SACD Player, $10,000
- T+A DAC 200, $7620
- Weiss Engineering Helios DAC, $21,995
"There was some debate about whether anybody can hear the differences above a good Chi-Fi DAC like the Topping D90. Unless you are missing most of your high-frequency hearing, you can hear where a high-end DAC makes a difference."
The Bricasti M3 is a great example of that performance in a $6,000 DAC."
"The Benchmark DAC3 B is an audiophile DAC, with pro audio roots, that punches way above its weight."
