"Although similar in appearance to previous Benchmark models, with a front-panel volume control and two ¼" headphone jacks."
"The new DAC2 HGC uses four 32-bit ESS Sabre DACs, run in balanced configuration, for a significantly lower noise floor; has a new Hybrid Gain Control (HGC) for volume attenuation, which combines active analog gain control and passive low-impedance attenuators in the analog realm with a 32-bit digital DSP gain control for digital signals."
"It had a pleasantly forward sound, with smooth highs, a solid bottom end, and excellent image separation, said EL."
"I'm asking because clearly Benchmark is a highly regarded company here, and plenty of ASR members own Benchmark amplification/DACs. We know they are top of the heap in terms of measured performance, outdoing plenty of the competition in terms of typical distortion measurements."
- @MattHooper, AudioScienceReview.com
AHB2, LA4, DAC3
Subtle aesthetics? Check.
Unobtrusive size? Check.
Solid build? Check.
Made in America? Check.
Best in class? Check.
Superior performance proven by Amir? Check.
Superior customer service? Check (and not just in audio world; best customer service I have experienced from any company, anywhere, ever).
Expensive? For me, yes. Limit of my budget, but buy once cry once.
"The afternoon before the start of the show I ran into John Siau of Benchmark Media Systems. He says to me quietly, “make sure you stop in our room, we have a surprise!” With curiosity suitably piqued, Co-Editor Jim Clements and I paid a visit ..."
"The results were pretty astonishing. A stable, enveloping stereo image that was devoid of any distortion whatsoever."
- Carlo Lo Raso, Secrets of Home Theater and High Fidelity
"Sound was extremely well-integrated and controlled, and the bass memorable."
"The Note received signal through the introductory version of the company's Liquid Cables. Each cable contains 27,000 wires. The company's introductory Elephant memory player joined Benchmark Media's AHB2 power amps, DAC3 B D/A processor, and interconnects."
"With the aid of a forthcoming DEQX HDP4 processor that's due in the fall, the system sounded super on a 16/44.1 file of the famed rendition of Copland's Fanfare for the Common Man, recorded by Eiji Oue and the Minnesota Orchestra for Reference Recordings."