"The volume control on the front panel of the DAC3 DX is governed by a 32-bit dithered volume control. This volume control can vary the volume of both headphone jacks on the front (not individually, though, I’m afraid) as well as the main and auxiliary output jacks on the back depending upon how you use the Mute and DIM buttons on the front panel. You can make either set of rear outputs fixed or volume-control variable."
"I found that the Benchmark is a highly accomplished DAC. Listening to Angel Cabrera tickle the ivories of a Steinway Concert Grand on the 24-bit/96-kHz Play The Classics release “Cabrera Plays Debussy” (download at www.playtheclassics.com) is a really stringent test for any stereo system, and I was astounded to hear that with this DAC, the piano leaps from the speakers and sounds like there’s a real concert grand in my living room!"
"This has always been one of my favorite test recordings because it is simply recorded, made in a good sounding venue, and has always challenged DACs. With some DACs, you get a hint of what’s there, and with others (like the wildly expensive dcS Vivaldi) the piano starts to come out of the speakers and into the room sonically. Not since I borrowed a Vivaldi (and its owner) for an evening, have I heard this recording, rendered so palpably!"
"The Benchmark delivers a huge and precise soundstage. Layering, front to back is very impressive."
"The soundstage remains precise, with instrumentation tightly seated in place even when the music becomes complex as in the 24/176.4-kHz HRx Reference Recordings’ “Hindemith Symphonic Metamorphosis of Themes by Carl Maria von Weber,” with Michael Stern conducting the Kansas City Symphony. (CD, SACD or HRx, RR132) The rich texturing of this composition is rendered clean and focused with each voice in the orchestra impressively defined."
"I then repeated these same selections using the DAC3 DX’s headphone amp. The noise level of this amp is incredibly low with a dynamic range unusual in headphone amplifiers."
"If you think that you don’t like headphone listening, perhaps it’s due to what’s driving your headphones."
"There are many DACs available in what I call the 'sweet-spot' category of roughly $1800 to $2500. And while I haven’t heard all of them, the Benchmark DAC3 DX beats the ones with which I am familiar in terms of versatility and sound quality. If I had to use one word to describe the sound of the Benchmark DAC3 DX, that word would be 'transparent.'"
"In so many ways this transparency results in a presentation that punches way above the DAC3 DX’s weight and selling price. The build quality is first rate and it has a headphone amp worthy of any $750 standalone version!"
"'Many good things come in small packages.' The Benchmark DAC3 DX is one of those 'good things.'"
"I'm asking because clearly Benchmark is a highly regarded company here, and plenty of ASR members own Benchmark amplification/DACs. We know they are top of the heap in terms of measured performance, outdoing plenty of the competition in terms of typical distortion measurements."
- @MattHooper, AudioScienceReview.com
AHB2, LA4, DAC3
Subtle aesthetics? Check.
Unobtrusive size? Check.
Solid build? Check.
Made in America? Check.
Best in class? Check.
Superior performance proven by Amir? Check.
Superior customer service? Check (and not just in audio world; best customer service I have experienced from any company, anywhere, ever).
Expensive? For me, yes. Limit of my budget, but buy once cry once.
"The afternoon before the start of the show I ran into John Siau of Benchmark Media Systems. He says to me quietly, “make sure you stop in our room, we have a surprise!” With curiosity suitably piqued, Co-Editor Jim Clements and I paid a visit ..."
"The results were pretty astonishing. A stable, enveloping stereo image that was devoid of any distortion whatsoever."
- Carlo Lo Raso, Secrets of Home Theater and High Fidelity
"Sound was extremely well-integrated and controlled, and the bass memorable."
"The Note received signal through the introductory version of the company's Liquid Cables. Each cable contains 27,000 wires. The company's introductory Elephant memory player joined Benchmark Media's AHB2 power amps, DAC3 B D/A processor, and interconnects."
"With the aid of a forthcoming DEQX HDP4 processor that's due in the fall, the system sounded super on a 16/44.1 file of the famed rendition of Copland's Fanfare for the Common Man, recorded by Eiji Oue and the Minnesota Orchestra for Reference Recordings."