DAC3 Review and Test Report - Gary Galo, Audioxpress
DAC3 HGC - "Benchmark has Moved it to the Next Level"
"Benchmark has taken an already remarkable product and moved it to the next level."
ES9028PRO replaces the ES9018
"Benchmark Media Systems, Inc.’s DAC series of high-performance digital-to-analog converters (DACs) have earned the respect of audio enthusiasts and professional users alike for their state-of-the-art performance, including exceptional audio transparency and vanishingly-low levels of noise and distortion. Now Benchmark has made its DAC3 even better with the upgrade to ESS Technology’s new ES9028PRO DAC chip."
"The heart of Benchmark’s DAC2 is ESS Technology’s ES9018 digital-to-analog converter chip, widely recognized in the industry as one of the best DAC chips and, until now, the best in the view of Benchmark’s Vice President and Director of Engineering John Siau."
"ESS’s Sabre ES9018 DAC chip is now seven years old, and Benchmark began working with the new Sabre ES9028PRO after ESS announced its new chip last October. Measurements and listening tests convinced Benchmark of the new chip’s superiority."
"The ES9028PRO has a 64-pin footprint, and is pin-compatible with the ES9018, enabling Benchmark to drop it into the same PC board used in the DAC2. This makes the DAC3 a cost-effective upgrade. Siau notes that the DAC3 is like a DAC2 on steroids. In addition to the new ESS chip, the software and the analog gain structure are different from those in the DAC2."
The ES9028PRO offers four key areas of improvement over the ES9018
- Total harmonic distortion (THD) compensation
- Improved oversampling filters
- Improved phase-locked loop (PLL)
- Improved power supply distribution
"Benchmark considers the THD compensation to be the most significant improvement."
"The 32-bit digital processing in the ES9028PRO not only compensates for harmonic distortion at the chip’s own analog outputs, but it can also be adjusted to compensate for distortion in the post-DAC analog circuitry. The second and third harmonic distortion components can also be independently nulled."
THD Compensation
"This graph shows the DAC3’s second harmonic distortion with the ES9028PRO DAC chip’s THD compensation disabled (black) and enabled (red). The THD compensation yields a significant reduction in distortion in the critical midrange, where the ear is most sensitive."
Improved PLL
"ESS has improved the PLL in the ES9028PRO, giving the new chip faster lock times than the ES9018. Benchmark has used this to good advantage, changing the timing in the UltraLock2 system used in the DAC2 to create UltraLock3 for the DAC3s. Jitter attenuation in the two systems is virtually identical and exceeds the performance of the PLL in the ESS DAC chips."
"With the ES9028PRO, the DAC3 muting time is reduced to around 6 mS."
Listening
"Since last year, my reference DAC has been the DAC2 HGC, so making comparisons between the two was very easy. The DAC’s balanced outputs feed a pair of Benchmark AHB2 power amplifiers, one for each channel."
"The DAC3 HGC retains all the virtues of its predecessor, including its remarkable transparency and a seemingly non-existent noise floor. There’s also a sense of effortlessness and a complete lack of strain even on the most complex musical scores. But, the most obvious areas of improvement are in the reproduction of inner detail and soundstage delineation."
"The DAC3 HGC ensures Benchmark Media’s continued leadership in high-resolution digital audio, and I highly recommend the DAC3 HGC."
- Gary Galo, AudioXpress
Download the full review and bench report (PDF) →
Also in Reviews
DAC3 Review - Alan Sircom, hi-fi+
"A Damn Good, No-Frills Digital Converter"
"Benchmark Media Systems’ no-nonsense approach to all things audio is rare today."
"Uniformly Good"
"This is a DAC that’s uniformly good at everything. It resolves well, has good imaging properties."
"It makes a balanced, honest sound that allows you to sit and listen to music for hours. That is what makes Benchmark’s products consistently popular with audio engineers. You don’t want ‘bright’ if you sit at a mixing desk 10 hours a day. "
"Leave No Trace"
"It also has the latest version of Benchmark’s jitter attenuation system (UltraLock3) and doubles down on the digital demon with its multi-mode asynchronous USB system."
"Benchmark also uses the distortion compensation facilities built into the ESS chip to reduce second and third order distortion."
"The net result is a DAC that delivers lower distortion, lower noise, less passband ripple, faster signal switching and locking onto signals and a more linear frequency response."
"The Benchmark Media Systems DAC3 B is very much in the ‘leave no trace’ school of good audio."
- Alan Sircom, hi-fi+
DAC3 - Award Nominee - Best Digital Audiophile Product of 2024 (Cost No Object)
2024 Nominees
- Benchmark Media DAC3 B DAC, $1895
- Bricasti M3 DAC, $6000
- Bricasti M19 CD-SACD Player, $10,000
- T+A DAC 200, $7620
- Weiss Engineering Helios DAC, $21,995
"There was some debate about whether anybody can hear the differences above a good Chi-Fi DAC like the Topping D90. Unless you are missing most of your high-frequency hearing, you can hear where a high-end DAC makes a difference."
The Bricasti M3 is a great example of that performance in a $6,000 DAC."
"The Benchmark DAC3 B is an audiophile DAC, with pro audio roots, that punches way above its weight."
LA4 Review - Mike Prager, FutureAudiophile.com
"Benchmark Media Systems made its reputation in both pro audio and audiophile circles by designing gear with extraordinarily low noise and distortion, and selling it at reasonable prices."
"What Makes the Benchmark LA4 Preamp So Special?"
"A high-quality volume control is much of what makes a superior preamp shine, and the Benchmark’s volume control is outstanding. The Benchmark LA4 uses a bank of precision resistors switched by gold-contact relays to set volume in 256 steps of 0.5 decibels each."
"If accurate reproduction is your wish, you won’t find a preamp with meaningfully better objective performance than the Benchmark LA4, especially one made in the United States at anything near the LA4’s price."
"Very few preamps at any price reach the LA4’s level of objective performance."
"On the subjective end of things, the Benchmark LA4 preamp puts the lie to the old audiophile myth that neutrality means clinical, cold, or sterile sound. Instead, here neutrality means musical, involving sound, with precise, stable imaging, a sense of space (if one is on the recording), and exceptionally truthful timbres."
- Mike Prager, FutureAudiophile.com