DAC3 Review - Head-FI
DAC3 HGC - "Everything You Like About the DAC2 Only Mo' Better"
"The older Benchmark DAC2 and the new DAC3 are practically indistinguishable visually."
"The underlying ES9028PRO chipset is the big difference in the new DAC3 – everything else is pretty much the same. …even the USB drivers are the same."
"In short – it's everything you like about the DAC2 only mo’ better."
"I think it’s a fantastic sounding D/A converter. On well recorded material it does an outstanding job with detail and resolution."
"It brought new life to CD quality 16/44.1 material - even on tracks that weren’t particularly well mastered."
The Benchmark DAC3 HGC is a sonic marvel and an engineer’s wet dream."
"The DAC3 offers the following improvements over the DAC2:
• Active 2nd Harmonic Compensation
• Active 3rd Harmonic Compensation
• Lower THD
• Lower passband ripple
• Improved frequency response
• Increased Dynamic Range
• Faster PLL lock times
• Faster switching between inputs
In short – it's everything you like about the DAC2 only mo’ better."
"I started my evaluation with the Black Keys’ El Camino album and their track “Sister”."
"The big bass drum kick that anchors this track has left me disappointed on other systems and pairings. The DAC3 HGC nailed it and kicked with the authority that I've often found lacking."
"Immediately impressed with the “grunt” of the HPA2 amp section, I moved on to my all-time favorite Red Hot Chili Peppers song – their cover of Stevie Wonder’s “Higher Ground”. I love Flea’s bass guitar in this track. The benchmark had me toe tapping to the “chicka-wow-wow” rhythm."
"I have some Florence + The Machine tracks that sounded dull and lifeless on other equipment, but popped on the DAC3 with new clarity and energy. You know you’re onto something special when a piece of gear can breathe new life into flat tracks."
"I queued up one of Dr. Chesky’s evaluation discs and got to listening. Perhaps the most interesting test (to me at least) was Rebeca Pidgeon’s cover of “Spanish Harlem”. Each shake of the shaker was indeed different. The DAC3 did an excellent job of resolving minute details in the material. Compared back-to-back against the DAC section of the ES9018 based Oppo HA-1, the Benchmark nailed it. It wasn’t one of those subtle differences that makes you go “hmmm” – it was a “wow” moment."
"I have some great tracks in my collection that are in DSD format. So Benchmark’s support for DSD was “must have” feature for me."
"I think it’s a fantastic sounding D/A converter. On well recorded material it does an outstanding job with detail and resolution. It brought new life to CD quality 16/44.1 material - even on tracks that weren’t particularly well mastered."
- "T Bone", Head-Fi.org
Also in Reviews
DAC3 - Award Nominee - Best Digital Audiophile Product of 2024 (Cost No Object)
2024 Nominees
- Benchmark Media DAC3 B DAC, $1895
- Bricasti M3 DAC, $6000
- Bricasti M19 CD-SACD Player, $10,000
- T+A DAC 200, $7620
- Weiss Engineering Helios DAC, $21,995
"There was some debate about whether anybody can hear the differences above a good Chi-Fi DAC like the Topping D90. Unless you are missing most of your high-frequency hearing, you can hear where a high-end DAC makes a difference."
The Bricasti M3 is a great example of that performance in a $6,000 DAC."
"The Benchmark DAC3 B is an audiophile DAC, with pro audio roots, that punches way above its weight."
LA4 Review - Mike Prager, FutureAudiophile.com
"Benchmark Media Systems made its reputation in both pro audio and audiophile circles by designing gear with extraordinarily low noise and distortion, and selling it at reasonable prices."
"What Makes the Benchmark LA4 Preamp So Special?"
"A high-quality volume control is much of what makes a superior preamp shine, and the Benchmark’s volume control is outstanding. The Benchmark LA4 uses a bank of precision resistors switched by gold-contact relays to set volume in 256 steps of 0.5 decibels each."
"If accurate reproduction is your wish, you won’t find a preamp with meaningfully better objective performance than the Benchmark LA4, especially one made in the United States at anything near the LA4’s price."
"Very few preamps at any price reach the LA4’s level of objective performance."
"On the subjective end of things, the Benchmark LA4 preamp puts the lie to the old audiophile myth that neutrality means clinical, cold, or sterile sound. Instead, here neutrality means musical, involving sound, with precise, stable imaging, a sense of space (if one is on the recording), and exceptionally truthful timbres."
- Mike Prager, FutureAudiophile.com
AHB2 Review - Mike Prager, Future Audiophile
"For years, the audio world acknowledged one main contender (at least at sub-five-figure pricing) for the quietest, cleanest, most neutral power amplifier around. That was the Benchmark AHB2, whose specifications are still, for all practical purposes, unsurpassed, even by today’s excellent Class-D amps."
"10 years after its release, the Benchmark Media Systems AHB2 stereo power amp is still a standard-bearer in clean, neutral sound in the audiophile world."
"I greatly enjoyed having a pair of AHB2s in my system – their purity, neutrality, and seemingly unlimited power provided a clear window on the music and a lot of joy."
"I especially appreciated the AHB2’s smooth, well-integrated treble, free of splashiness or grain, and its natural reproduction of the human voice."
- Mike Prager, Future Audiophile