DAC3 - "Produced definitions of clarity that pushed away inner walls"
"There’s no denying that Benchmark are well known in the Hifi world for producing DACs which produce clean, uncoloured and truthful music."
"The core characteristic of all Benchmark DACs is to extract all the detail as transparently as possible, remain flat and cohesive in its presentation and allow the listener to engage deep into the music."
"Harmonically the DAC3 produced definitions of clarity that pushed away inner walls, giving height, depth and a feeling of surround sound."
"The precision in which the DAC3 produces each note is combined with a real flow to the music."
"Nils Lofgren’s live version of ‘Keith Don’t Go’ showed the potential speed and precision of the DAC3, strings started and stopped on a dime, decays were never sacrificed for precision and using the DAC3 really and truly lifts a veil from the system. Combinations of full bodied undertones and crisp leading edges brings music to life, extracting far more information in all areas of the frequency range than DACs costing quite a fair bit more… and the implementation of the ES9028PRO is just superb."
"When a female artist such as Rachelle Farrell takes a breath, it’s a breath that is heard, not a sound that resembles a breath. When Joss Stone’s lips touch in-between words a moistness can be heard. When Chris Jones has a little hum while the intro is being played it’s very evident and puts a smile on my face as I can then imagine him eager to get going. All these small significant moments increase the reality of a performance."
"There’s a lot of praise I could give to the Benchmark and some of it in all honesty is to my surprise, I am most taken aback by the sheer cohesiveness produced in conjunction with the amounts of detail available; it’s all done so effortlessly."
"Precision, depth, tonal accuracy and the freedom of the music within the soundstage and for whatever genre I played. The hybrid volume control is very nice and the tactile feel of the knob itself is very good, the facility itself was used with the active setup and its implementation is very well done. Equally so was the remote control which I used generally to adjust volume levels in this setup and also when listening to my headphones through the DAC."
"My system felt like a dominant force when I introduced the Benchmark DAC3 HGC to the middle shelf of my rack. With the implementation of the latest ESS9028PRO chip from Sabre, Benchmark’s own team of experts, tweaking the accompanied circuitry and the feature rich design offered in this petite package, a genetically modified version of the already popular DAC2 is born."
- Dan Worth, Hifi Pig
"This little unit will change the way you look and listen to amplifiers."
"My first taste of this remarkable new amplifier came earlier this year in April at Chicago's AXPONA where I discovered it driving a newly redesigned Studio Electric Pasadena loudspeaker, also bearing the Benchmark trademark. Now called the SMS1, the Pasadena's crossover had been reworked by Benchmark, upgraded with very low tolerance components, and the new look, more in line with the look of the rest of the Benchmark product line up, had been adopted."
"The subsequent sound in this room was one of the most musically engaging I encountered at this year's event, a remarkable result considering its modest overall system price of just over $7000, sans source."
- Greg Weaver, EnjoythMusic.com
Jim Austin wrote, "The DAC3 was all about depths, in several respects . . . I heard deeper into the music."
The concise conclusion to John Atkinson's Measurements sidebar: "All I can say is 'Wow!'"
In a Follow-Up, Jim Austin wrote of using the Benchmark processor with the same company's AHB2 power amp—a combination of high source output voltage and modest amplifier gain that he describes as "optimal for minimizing noise and distortion"—and reported hearing "richer and more interesting" reproduction of very subtle details.
- Stereophile Magazine
"Class A+" is Stereophile's highest award for Digital Processors
"Benchmark's LA4 is the widest-bandwidth, widest-dynamic-range, lowest-noise, lowest-distortion preamplifier I have encountered."
- John Atkinson, Stereophile
"The LA4 is probably the most transparent and revealing audio component I've ever used. It does not seem to leave any fingerprints on the sound."
- Kalman Rubinson, Stereophile
"Class A" is Stereophile's highest award for preamplifiers.