DAC3 HGC - "Expansive soundstage populated with nicely layered instrumentation."
"Tonally things are well balanced, with no part of the frequency range gaining undue prominence. This is coupled to a good dose of refinement, so any aggressive tendencies in recordings, while revealed, are never overemphasised."
"Like all the best products, the Benchmark manages the difficult feat of stepping out of the limelight and letting the music take centre stage."
"These results remain unchanged whether we use the Benchmark as a conventional line-level DAC or as a headphone amp. It is consistent regardless of set-up used, which is a testament to the precise way the company has developed this product."
"The initials HGC in the product name stand for Hybrid Gain Control. The volume control uses a clever design that works in both analogue and digital domains separately."
"Digital signals are governed by a 32-bit dithered volume control, while analogue streams aren’t touched by the processing but remain in their native state throughout the product."
"Benchmark’s work with the Hybrid Gain Control seems to have resulted in a lovely, transparent performance that, if anything, sounds even more impressive than the number-crunching section."
"There’s a high degree of transparency here, and a fluidity of dynamics few rivals can match."
"The Benchmark ... lacks any hint of luxury. It reminds us more of lab equipment than premium hi-fi ... but give it a little time to prove itself and you’ll find it’s an impressively capable unit – we can’t think of an alternative that does so much so well."
- What Hi*Fi?
"Before I dig into the sound of the LA4 it is important to know that it employs a wide bandwidth design. The LA4’s bandwidth is specified at 0.2 Hz to 500 kHz."
"Most of the wide bandwidth designs I have heard exhibit ... a purity in tone with superb timing and speed ... the LA4 proved to be no exception."
"The Benchmark LA4 yielded a change that was quickly apparent in several areas. Notably were; bass, upper midrange, treble, low-level listening, and the ability to distinguish the colorations of other components that were contributing to my overall sound."
"Acoustic guitar, piano, and harmonica among many other instruments are presented with speed, clarity, and coherency that made them sound more “present” in the room and less like a recording."
"The Benchmark LA4 is simply the most transparent, least colored, and most revealing component I have had in my system to date. I look forward to it joining my stable of reference components."
"Highly recommended."
- Ken Redmond, The Audio Beatnik
"This little unit will change the way you look and listen to amplifiers."
"My first taste of this remarkable new amplifier came earlier this year in April at Chicago's AXPONA where I discovered it driving a newly redesigned Studio Electric Pasadena loudspeaker, also bearing the Benchmark trademark. Now called the SMS1, the Pasadena's crossover had been reworked by Benchmark, upgraded with very low tolerance components, and the new look, more in line with the look of the rest of the Benchmark product line up, had been adopted."
"The subsequent sound in this room was one of the most musically engaging I encountered at this year's event, a remarkable result considering its modest overall system price of just over $7000, sans source."
- Greg Weaver, EnjoythMusic.com
Jim Austin wrote, "The DAC3 was all about depths, in several respects . . . I heard deeper into the music."
The concise conclusion to John Atkinson's Measurements sidebar: "All I can say is 'Wow!'"
In a Follow-Up, Jim Austin wrote of using the Benchmark processor with the same company's AHB2 power amp—a combination of high source output voltage and modest amplifier gain that he describes as "optimal for minimizing noise and distortion"—and reported hearing "richer and more interesting" reproduction of very subtle details.
- Stereophile Magazine
"Class A+" is Stereophile's highest award for Digital Processors
