HPA4 Review - Andrew Everard, Hi-Fi News
HPA4 - Hi-Fi News "Outstanding Product"
"Benchmark describes its product as a 'reference Stereo Headphone Amplifier and Reference Line Amplifier with Relay Gain and Input Control', which should give you some idea of what's going on here, but only hints at the fact that this is actually two completely separate products packed into one relatively compact unit."
"Unlike most headphone amps able to do double duty as a preamp, this one doesn't split its output ... but actually has discrete amplifier sections for the two functions."
Same THX AAA Technology is Used in AHB2
"The headphone section is powered by a power amp from THX, employing the same AAA (Achromatic Audio Amplifier) technology first used by the company in its AHB2."
Relay Controlled Gain and Input Selection
"Benchmark's line amplifier uses relays for input selection, gain control and muting while four independent 256-step attenuators ... feed the the headphone ... and preamp outputs."
"As PM notes in his Lab Report, this design gives the HPA4 not only outstanding performance, but also rather impressive - to say the least - signal delivery."
Sound
"All of a track or two should do the trick, as whether with revealing headphones ... or used as a preamp, the HPA4 simply drops jaws with the sheer impact, openness and vivacity of the way it plays music."
"I played a new Channel Classics recording, pianist Anna Fedorova's Four Fantasies [CCS 41318; DSD 256], and was instantly struck by the way it sprang to life, with every element of the playing, and the size of the Steinway in a credible concert-hall acoustic, readily on display."
"It was one of those real 'performer in the room' experiences and I was instantly transported back to the time I spent monitoring the recording as it was being made in the Eindhoven Muziekgebouw back in July."
"The HPA4 can certainly rock out, it prodigious capability when it comes to output levels meaning it can five as much as your phones can take."
"Its beauty is that it sets no limits on your system: any failings audible will need to be looked for elsewhere."
- Andrew Everard, Hi-Fi News
Read the entire article from the November 2018 issue →
HPA4 Rear Panel
Also in Reviews
HPA4 Review - AP Mastering
"This is the best headphone amplifier that I have ever tested. In every conceivable metric, absolutely perfect."
"If you've got the money and you want something that is an engineering masterpiece, this is such a thing."
- AP Mastering
Benchmark System Review - Ricky Dasler, Living Sound, New Zealand
"With over 40 years as an audiophile and more than half those years as a hi-fi retailer, I feel I’ve finally put together a stereo that ticks all my sonic boxes. Those being in order of priority, dynamics, scale, tonal accuracy, fatigue free resolution and soundstage."
"For the last 25 years I’ve been fortunate to have a dedicated listening room. I use acoustic treatments from Real Traps, Vicoustic and Primeacoustic."
"My Benchmark components consist of the DAC3 B (connected to a Naim NDS streamer), LA4 line amplifier and two AHB2 power amplifiers run in bridged mono mode. All cables are Benchmark too."
"The Benchmark gear in my system has brought what I have wanted in my list of sonic priorities as listed above and then some. They have delivered way beyond what I thought could be possible in my system in my room."
"I’m delighted and stunned daily as my vast music collection comes to life on a whole new level."
- Ricky Dasler, Living Sound, Nelson New Zealand.
Benchmark Converters at Abbey Road - Geoff Pesche
"What are the Latest Advancements in Mastering?"
"Geoff Pesche weighs in on how the mastering team at Abbey Road Studios achieve first-class results." - Mix with the Masters
"The biggest sonic improvement in mastering in the last 5 or 6 years is D/A and A/D converters and that's very very important - what you have at the front and the back of the chain."
"We use fairly new Benchmark converters front and back."
"Abbey Road like a uniformity between the rooms so all of the rooms have the same A/D and D/A conversion."
- Geoff Pesche, Mastering Engineer, Abbey Road Studios
