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"Benchmark describes its product as a 'reference Stereo Headphone Amplifier and Reference Line Amplifier with Relay Gain and Input Control', which should give you some idea of what's going on here, but only hints at the fact that this is actually two completely separate products packed into one relatively compact unit."
"Unlike most headphone amps able to do double duty as a preamp, this one doesn't split its output ... but actually has discrete amplifier sections for the two functions."
"The headphone section is powered by a power amp from THX, employing the same AAA (Achromatic Audio Amplifier) technology first used by the company in its AHB2."
"Benchmark's line amplifier uses relays for input selection, gain control and muting while four independent 256-step attenuators ... feed the the headphone ... and preamp outputs."
"As PM notes in his Lab Report, this design gives the HPA4 not only outstanding performance, but also rather impressive - to say the least - signal delivery."
"All of a track or two should do the trick, as whether with revealing headphones ... or used as a preamp, the HPA4 simply drops jaws with the sheer impact, openness and vivacity of the way it plays music."
"I played a new Channel Classics recording, pianist Anna Fedorova's Four Fantasies [CCS 41318; DSD 256], and was instantly struck by the way it sprang to life, with every element of the playing, and the size of the Steinway in a credible concert-hall acoustic, readily on display."
"It was one of those real 'performer in the room' experiences and I was instantly transported back to the time I spent monitoring the recording as it was being made in the Eindhoven Muziekgebouw back in July."
"The HPA4 can certainly rock out, it prodigious capability when it comes to output levels meaning it can five as much as your phones can take."
"Its beauty is that it sets no limits on your system: any failings audible will need to be looked for elsewhere."
- Andrew Everard, Hi-Fi News
Read the entire article in the November 2018 issue (pages 70 - 73), subscription required →
"This contest produced another tie, and yet another contrast between two wildly different philosophies—economical, if not technical. As Jim Austin pointed out in his initial review, the DAC3 HGC D/A processor from Benchmark Media Systems—a company known for making pro-audio as well as domestic-audio gear—sells for less than the price of certain high-end interconnects. The dCS Vivaldi D/A processor sells for 16 times the Benchmark's price, and in our pages was first reviewed, by Michael Fremer, as part of a $114,996 dCS digital front end."
"Both DACs impressed their respective reviewers with magnificent sound—and in his measurements for both, John Atkinson offered the same one-word conclusion: "Wow!""
"In my September 2018 column, I wrote of my discovery of miniDSP's U-DIO8, which converts multichannel data fed to its USB port to eight S/PDIF or AES-EBU outputs at resolutions of up to 24-bit/192kHz. Armed with a U-DIO8, you can use three or four of your choice of stereo DAC."
"I went commando with the DAC3s directly connected to the three AHB2s. All three DAC3s were set to Home Theater Bypass, and I used JRiver Media Center's volume control."
"For the first time I can recall, I heard no noise from my system, even with an ear flush against a tweeter."
"I know that we audiophiles can obsess about small changes and make them seem more important than they actually are, but that's what this hobby is about: Eliminating as many audible flaws as possible, however tiny. In this case, the effect was striking at first listen, and endured through everything I played, even tracks that had troubled me before."
- Kal Rubinson, Stereophile
"RMAF 2018 was really good, with significant numbers of attendees, and more new-product introductions than I remembered ever seeing there."
"Led by engineer John Siau and based in Syracuse, New York, Benchmark Media Systems has built a sterling reputation for making compact, well-engineered, moderately priced electronics that challenge the state of the art, both on the test bench and in the listening room."
"What I took notice of were the specifications: total harmonic distortion of less than 0.00006%, and a signal/noise ratio exceeding 135dB from 20Hz to 20kHz."
"If those claims are true, and there’s no reason to believe they aren’t -- Benchmark gear has always performed as specified on the test bench -- the LA4 should be about as transparent-sounding a line-stage as you can find at any price."
- Doug Schneider, SoundStage! Hi-Fi
