LA4 Review - Kalman Rubinson, Stereophile
LA4 - "Put a Big Smile on My Face"
"As soon as everything powered up, there was a big smile on my face. With the LA4 in control of the system, everything sounded right, and subtle differences among recordings, amplifiers, and speakers were clear."
"Compared to the other preamps on hand, the LA4 was consistently quieter, more open, and more revealing of detail."
"The action of the large knob is stepped, and an audible relay click accompanies each 0.5dB step change. I am accustomed, as perhaps many are, to smooth, silent operation, and I hastily concluded that the clicking would be intolerable. Nevertheless, I was wrong, especially as this construction contributes to some of the virtues I observed later."
"The LA4's 16-step gain stage feeds a 256-step attenuator with 12 gold-contact relays and 64 precision (0.1%) thin-film resistors, switched by an array of 40 sealed, gold-contact precision relays."
"The use of physically large, metal-film resistors ensures rapid heat dissipation, preventing heat-induced increases in resistance values."
"The relays are controlled by an FPGA to ensure precise timing of relay switching, which Benchmark says reduces transient currents that can cause pops, clicks, and 'zipper noise.'"
"The LA4's design, the company says, ensures long-term, low-distortion, low-noise operation with accurate interchannel balance and repeatability. It also means that one can use multiple LA4s and know that they are accurately matched."
"The LA4 is probably the most transparent and revealing audio component I've ever used."
"It does not seem to leave any fingerprints on the sound. It has a useful array of inputs, outputs, and functions, and the use of sealed relays for volume and input selection assures a long and noise-free life."
- Kal Rubinson, Stereophile
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Benchmark System Review - Ricky Dasler, Living Sound, New Zealand
"With over 40 years as an audiophile and more than half those years as a hi-fi retailer, I feel I’ve finally put together a stereo that ticks all my sonic boxes. Those being in order of priority, dynamics, scale, tonal accuracy, fatigue free resolution and soundstage."
"For the last 25 years I’ve been fortunate to have a dedicated listening room. I use acoustic treatments from Real Traps, Vicoustic and Primeacoustic."
"My Benchmark components consist of the DAC3 B (connected to a Naim NDS streamer), LA4 line amplifier and two AHB2 power amplifiers run in bridged mono mode. All cables are Benchmark too."
"The Benchmark gear in my system has brought what I have wanted in my list of sonic priorities as listed above and then some. They have delivered way beyond what I thought could be possible in my system in my room."
"I’m delighted and stunned daily as my vast music collection comes to life on a whole new level."
- Ricky Dasler, Living Sound, Nelson New Zealand.
Benchmark Converters at Abbey Road - Geoff Pesche
"What are the Latest Advancements in Mastering?"
"Geoff Pesche weighs in on how the mastering team at Abbey Road Studios achieve first-class results." - Mix with the Masters
"The biggest sonic improvement in mastering in the last 5 or 6 years is D/A and A/D converters and that's very very important - what you have at the front and the back of the chain."
"We use fairly new Benchmark converters front and back."
"Abbey Road like a uniformity between the rooms so all of the rooms have the same A/D and D/A conversion."
- Geoff Pesche, Mastering Engineer, Abbey Road Studios
