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500-14800-730

Benchmark DAC3 B - Digital to Analog Audio Converter

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Benchmark converters are in daily use in many of the world's finest recording studios and mastering rooms. Benchmark converters are also enjoyed by thousands of audiophiles. Benchmark has raised the bar again ... the DAC3 defines a new reference. The DAC3 delivers outstanding musical detail and precise stereo imaging. It employs an advanced high-headroom digital filter design, and a high-sample-rate Asynchronous USB Audio interface. All inputs are fully isolated from interface jitter by Benchmark's new UltraLock3™ jitter attenuation system. Internal digital processing and conversion is 32-bits, and this processing includes 3.5 dB of headroom above 0 dBFS. This headroom prevents the DSP overloads that commonly occur in other D/A converters. Four balanced 32-bit D/A converters are summed together to create each balanced analog output. This 4:1 summation provides a 6 dB noise reduction, and gives the DAC3 industry-leading performance.

 

The DAC3 B is the basic D/A converter in Benchmark's DAC3 converter series. The DAC3 B is the ideal converter to use in front of Benchmark's HPA4 headphone amplifier or LA4 line amplifier. It is also ideal for many professional studio applications. It delivers the full performance of the flagship DAC3 HGC, but eliminates the volume control, the analog inputs, the mute and polarity controls, and the headphone amplifier.

To make system integration easy, the DAC3 B retains IR remote control (handset optional), 12 V trigger,  and the programmable auto-on feature. The DAC3 B adds a control-lock feature that turns off the remote control and locks the keypad to prevent tampering and accidental changes. The optional 1/2-width rack-mount faceplate allows the mounting of two units in a single 1-RU rack space.

The DAC3 B sounds exactly like the DAC3 HGC because it uses the exact same circuit board and the exact same audio path. Benchmark has simply eliminated the unnecessary parts to deliver a stripped down race car of a converter. If you want a basic D/A converter that delivers the finest conversion available, the DAC3 B is for you. 

Reference Performance

The DAC3  delivers outstanding musical detail and precise stereo imaging. It employs an advanced high-headroom digital filter design, and a high-sample-rate Asynchronous USB Audio interface. All inputs are fully isolated from interface jitter by Benchmark's new UltraLock3™ jitter attenuation system.

Internal digital processing and conversion is 32-bits, and this processing includes 3.5 dB of headroom above 0 dBFS. This headroom prevents the DSP overloads that commonly occur in other D/A converters.

Four balanced 32-bit D/A converters are summed together to create each balanced analog output. This 4:1 summation provides a 6 dB noise reduction, and gives the DAC3 industry-leading performance.

Sonically-Neutral Studio Monitoring

All Benchmark converters are designed for maximum transparency. This transparency is absolutely essential in the studio monitoring chain. For this reason, DAC3 converters are ideal for critical reference-quality professional systems. Unlike many competing products, the DAC3 is not designed to add "euphonic" coloration to the audio. Instead it is designed to be as uncolored and natural as possible.

Step Into the Studio

When Benchmark's professional converters are used in hi-fi applications, studio-quality sound can be enjoyed in a home environment. Enjoy pure music without any coloration from the electronics. Hear the music exactly the way it was heard in the studio, and exactly the way the artists intended.

Discover the natural, uncolored, analog sound of the DAC3.

Sit in the Performance Space

Transparent sound can go beyond replicating the studio experience. Recordings that have been produced with a natural and unprocessed sound can transport you to the performance space. But, this can only happen when the entire playback chain is selected for maximum transparency.

This experience of "being there" cannot be created by systems that are designed to add "warmth" or "euphonic color" to the music.