Special - Buy one component and save 25% on up to three components of equal or lesser value. Offer ends Dec. 5 - Free shipping on USA orders over $700. We are closed 11/28 and 11/29.
Special - Buy one component and save 25% on up to three components of equal or lesser value. Offer ends Dec. 5 - Free shipping on USA orders over $700. We are closed 11/28 and 11/29.
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by Benchmark Media Systems August 31, 2015
"The DAC2 measured specifications are a significant improvement over the already very impressive DAC1, due to the very high resolution ESS SABRE DAC, better components and improved circuit topology."
"However, the impressively improved measurements don't really prepare for the emotional impact of music played through the DAC2. Improvements in objective aspects of performances are there: I can hear keyboard, voice, drum, string and jazz saxophone articulation, timbre and instrument sound much more clearly. The intention of the artists through the mechanics of their playing is much more clearly audible."
"But the communication of emotion is even more greatly improved. Jazz swings better. Classical storms, soars and sings better. Rock would rock harder if most of it didn't have such dismal sonics to begin with. Great playback can't really improve bad recording. That said, well-recorded pop like the 96 kHz x 24-bit Fleetwood Mac Rumours DVD-Audio remaster reveals great writing and outstanding musicianship. 2014's fantastic 96 x 24 remaster of Elton John's Goodbye Yellow Brick Road absolutely rocks in its many special ways. At times, bluesey, orchestral, rocking, funky, overtly beautiful, and occasionally silly, the added resolution of this recording and this playback is magical. The title track really engaged me in a way I had never experienced before; a spine-tingling, outrageous serenade."
"Test conditions were informal A/B tests using CD and 96/24 DVD over Toslink from Pioneer Elite DV-58AV, and lossless FLAC CD rips over 96/24 USB from Foobar2000 Windows audio player, on Sennheiser HD 600 headphones with Cardas cable. Also, having listened daily through the DAC1 for several years I was highly familiar with its sound, so the DAC2 differences were immediately apparent. It just sounds much better, and that leapt out to me immediately. It was not at all subtle, and that surprised me."
- Jeff Chan, jeffchan.com
by Benchmark Media Systems November 18, 2024
"Benchmark Media Systems made its reputation in both pro audio and audiophile circles by designing gear with extraordinarily low noise and distortion, and selling it at reasonable prices."
"A high-quality volume control is much of what makes a superior preamp shine, and the Benchmark’s volume control is outstanding. The Benchmark LA4 uses a bank of precision resistors switched by gold-contact relays to set volume in 256 steps of 0.5 decibels each."
"If accurate reproduction is your wish, you won’t find a preamp with meaningfully better objective performance than the Benchmark LA4, especially one made in the United States at anything near the LA4’s price."
"Very few preamps at any price reach the LA4’s level of objective performance."
"On the subjective end of things, the Benchmark LA4 preamp puts the lie to the old audiophile myth that neutrality means clinical, cold, or sterile sound. Instead, here neutrality means musical, involving sound, with precise, stable imaging, a sense of space (if one is on the recording), and exceptionally truthful timbres."
- Mike Prager, FutureAudiophile.com
by Benchmark Media Systems September 23, 2024
"For years, the audio world acknowledged one main contender (at least at sub-five-figure pricing) for the quietest, cleanest, most neutral power amplifier around. That was the Benchmark AHB2, whose specifications are still, for all practical purposes, unsurpassed, even by today’s excellent Class-D amps."
"10 years after its release, the Benchmark Media Systems AHB2 stereo power amp is still a standard-bearer in clean, neutral sound in the audiophile world."
"I greatly enjoyed having a pair of AHB2s in my system – their purity, neutrality, and seemingly unlimited power provided a clear window on the music and a lot of joy."
"I especially appreciated the AHB2’s smooth, well-integrated treble, free of splashiness or grain, and its natural reproduction of the human voice."
- Mike Prager, Future Audiophile
by Benchmark Media Systems April 02, 2024
"The AHB2 bridgeable stereo amplifier ... was the topic of a recent discussion between American electrostatic panel speaker manufacturer Sound Lab’s president, Dr. Roger West, and me."
"In our discussion, he related his highly positive experience in driving even his largest, $55k Majestic 945 panels with the $7,000 pair of Benchmark Media AHB2 monoblocks, along with the $3,050 LA4 Preamplifier and factory XLR cables."
"Dr. West described the AHB2 as a class AB design using “feed-forward distortion reduction [thus removing] any possibility of pushing the margin of safety of a standard feedback loop, used in most amplifiers, into an unstable oscillatory mode.”"
"He further shared with me that “this is of most concern on powerful musical transients. The distortion of the amplifier in the balanced mode is astonishingly low even at just below the clipping level of 380 watts.”"
"The prospect of the AHB2’s specified distortion level of 0.00015% or lower when at full volume is comical at first glance, but upon actual audition the impact of the achievement is very audible from medium-high listening levels and upward."
"It was unlike any other sub-$20,000 amplifier I have auditioned."
"My audition of the Benchmark Media AHB2 amplifiers underscores the reason Dr. West is so taken by it, and confirms the design is best described as a watershed moment in the high-end audio industry."
- Constantine Soo, Dagogo