"The HPA4 is Benchmark’s latest headphone amplifier. This amp is unusual in that it features a THX-888 Achromatic audio amplifier, which is claimed to reduce distortion by 20–40 dB through a patented feed-forward design, resulting in the world’s most linear amplifier. In addition to the THX amp circuitry, Benchmark has gone slightly nuts (in a good way) with the volume control, offering 256 levels in 0.5 dB steps via an array of relays. The idea is to limit noise and allow the user to dial-in volume precisely."
"The HPA4 is a high-voltage, high-current design to allow low-sensitivity headphones to work well. In addition, the damping factor is high (near zero ohms output impedance), with the aim of sounding the same with low-, medium-, and high-impedance headphones."
"I thought the HPA4 sounded as good as any headphone amp I’ve heard for dynamic headphones, and it might be the best of the lot depending on your circumstances."
"The HPA4 is exceptionally good at presenting a layered, dynamic, yet relaxed sound. You can hear these rich results on, for example, Eliza Gilkyson’s Hard Times in Babylon (Red House), where the instruments not only are clearly differentiated but also sound fully rendered, as live instruments do. You also can hear the overtones of each instrument as they decay, which makes them sound more real."
"... wish the review sample didn’t have to go back."
- Tom Martin, The Absolute Sound
"Before I dig into the sound of the LA4 it is important to know that it employs a wide bandwidth design. The LA4’s bandwidth is specified at 0.2 Hz to 500 kHz."
"Most of the wide bandwidth designs I have heard exhibit ... a purity in tone with superb timing and speed ... the LA4 proved to be no exception."
"The Benchmark LA4 yielded a change that was quickly apparent in several areas. Notably were; bass, upper midrange, treble, low-level listening, and the ability to distinguish the colorations of other components that were contributing to my overall sound."
"Acoustic guitar, piano, and harmonica among many other instruments are presented with speed, clarity, and coherency that made them sound more “present” in the room and less like a recording."
"The Benchmark LA4 is simply the most transparent, least colored, and most revealing component I have had in my system to date. I look forward to it joining my stable of reference components."
- Ken Redmond, The Audio Beatnik
"This little unit will change the way you look and listen to amplifiers."
"My first taste of this remarkable new amplifier came earlier this year in April at Chicago's AXPONA where I discovered it driving a newly redesigned Studio Electric Pasadena loudspeaker, also bearing the Benchmark trademark. Now called the SMS1, the Pasadena's crossover had been reworked by Benchmark, upgraded with very low tolerance components, and the new look, more in line with the look of the rest of the Benchmark product line up, had been adopted."
"The subsequent sound in this room was one of the most musically engaging I encountered at this year's event, a remarkable result considering its modest overall system price of just over $7000, sans source."
- Greg Weaver, EnjoythMusic.com
Jim Austin wrote, "The DAC3 was all about depths, in several respects . . . I heard deeper into the music."
The concise conclusion to John Atkinson's Measurements sidebar: "All I can say is 'Wow!'"
In a Follow-Up, Jim Austin wrote of using the Benchmark processor with the same company's AHB2 power amp—a combination of high source output voltage and modest amplifier gain that he describes as "optimal for minimizing noise and distortion"—and reported hearing "richer and more interesting" reproduction of very subtle details.
- Stereophile Magazine
"Class A+" is Stereophile's highest award for Digital Processors