DAC2 HGC Review - Garrett Haines, Tape Op
DAC2 HGC - "I Would Put the New Benchmark Unit Against Any 2-Channel D/A"
"A few things are brand-new technologies. Foremost in my mind is the DSP that promises 3.5 dB digital headroom beyond 0 dBFS. Those familiar with Nielsen and Lund's AES paper on 0 dBFS+ levels (and if you're not, you really should change that) know that the converted analog output can still clip on playback, even though the digital source material may never exceed 0 dBFS, because of inter-sample peaks in the reconstructed waveform. The DAC2 HGC maintains at least 3.5 dB of headroom throughout the conversion system, which precludes it from clipping."
"The original Benchmark DAC1 has been used to master many Grammy-winning and chart-topping records. It is hard to imagine that even better performance has been squeezed out of that box, but the DAC2 HGC does that."
"More than an updated faceplate on the original DAC1, the DAC2 HGC offers its own reference sound that will be welcome in the listening environments of both audio engineers and audiophiles. Personally, I would put the new Benchmark unit against any 2-channel D/A on the market."
- Garrett Haines, Tape Op
Read the full review →Also in Reviews
DAC3 - Award Nominee - Best Digital Audiophile Product of 2024 (Cost No Object)
2024 Nominees
- Benchmark Media DAC3 B DAC, $1895
- Bricasti M3 DAC, $6000
- Bricasti M19 CD-SACD Player, $10,000
- T+A DAC 200, $7620
- Weiss Engineering Helios DAC, $21,995
"There was some debate about whether anybody can hear the differences above a good Chi-Fi DAC like the Topping D90. Unless you are missing most of your high-frequency hearing, you can hear where a high-end DAC makes a difference."
The Bricasti M3 is a great example of that performance in a $6,000 DAC."
"The Benchmark DAC3 B is an audiophile DAC, with pro audio roots, that punches way above its weight."
LA4 Review - Mike Prager, FutureAudiophile.com
"Benchmark Media Systems made its reputation in both pro audio and audiophile circles by designing gear with extraordinarily low noise and distortion, and selling it at reasonable prices."
"What Makes the Benchmark LA4 Preamp So Special?"
"A high-quality volume control is much of what makes a superior preamp shine, and the Benchmark’s volume control is outstanding. The Benchmark LA4 uses a bank of precision resistors switched by gold-contact relays to set volume in 256 steps of 0.5 decibels each."
"If accurate reproduction is your wish, you won’t find a preamp with meaningfully better objective performance than the Benchmark LA4, especially one made in the United States at anything near the LA4’s price."
"Very few preamps at any price reach the LA4’s level of objective performance."
"On the subjective end of things, the Benchmark LA4 preamp puts the lie to the old audiophile myth that neutrality means clinical, cold, or sterile sound. Instead, here neutrality means musical, involving sound, with precise, stable imaging, a sense of space (if one is on the recording), and exceptionally truthful timbres."
- Mike Prager, FutureAudiophile.com
AHB2 Review - Mike Prager, Future Audiophile
"For years, the audio world acknowledged one main contender (at least at sub-five-figure pricing) for the quietest, cleanest, most neutral power amplifier around. That was the Benchmark AHB2, whose specifications are still, for all practical purposes, unsurpassed, even by today’s excellent Class-D amps."
"10 years after its release, the Benchmark Media Systems AHB2 stereo power amp is still a standard-bearer in clean, neutral sound in the audiophile world."
"I greatly enjoyed having a pair of AHB2s in my system – their purity, neutrality, and seemingly unlimited power provided a clear window on the music and a lot of joy."
"I especially appreciated the AHB2’s smooth, well-integrated treble, free of splashiness or grain, and its natural reproduction of the human voice."
- Mike Prager, Future Audiophile