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"The best 'budget' system at the show, this was a tough one since almost every system at the show had one component that ended up breaking it from this budget category. Some 'inexpensive' systems broke the $10,000 mark on power conditioning alone. Thus, my favorite true sub $10,000 system was a great offering from Benchmark Media Systems, at just $7,500 dollars for a very capable system cables and all, this system takes the cake. You can see more details about the sound in the Day 1 write up. $7,500 gets you punchy musical bass, great tonal accuracy, and endless upgrade paths within the system with very capable components on all sides."
- Rick LaFaver, Enjoy the Music.com
"The AHB2 easily outperforms the DIY Hypex NC400 I had tested before which used to be the best amp I had tested."
"THD+N versus output level looks far cleaner than anything I have tested before."
"Intermodulation distortion versus power level shows the same story of clean power."
Signal to Noise Ratio:
(unweighted, 22.5 kHz BW)
Ch1: 130.286 dB
Ch2: 130.180 dB
Frequency Response:
-0.3 dB at 20 kHz
-3 dB down at 200 kHz!!
"Since this is not a switching amplifier, there is no filter there allowing the bandwidth to go to 200 kHz and beyond."
Stereo Power into 4 Ohms:
"We have 185 watts of power at incredibly low distortion of 0.00016%, besting the company specifications."
Bridged Mono Power into 4 Ohms:
"500 watts into 4 ohm! Stunning 0.00026% distortion at 500 watts!!"
"It goes without saying that the Benchmark AHB2 breaks new ground ... gets my strongest recommendation."
- Amir Majidimehr - AudioScienceReview.com
"The AHB2 power amps ... are fantastic."
"I use them as mono blocks due to my power hungry speakers."
"I hear clarity, precision and an openness in the treble that I haven't heard in my speakers before."
"The HPA4 line and headphone preamp and the power amps are made for each other..."
- Ulrike Schwarz, Anderson Audio NY
"The effortless and free-flowing nature of the Martin Logans paired up nicely with the transparent AHB2 amplifiers."
"The tonality and realism of the instruments were spectacular. An alto saxophone sounded as if it was in the room with me, and the pitch and timbre of both male and female vocals were absolutely spot-on. It was clear that nothing in this system was getting in the way of the music."
"Their room had a remarkable degree of transparency that made every listener feel closer to the music."
- Drew Gagliano, TheAudioBeatnik.com
