"A well-curated sound system"
"Audiophiles like smoothness. Audiophiles don’t like rough edges, bumps or dips in frequency response, falloff in off-axis listening, hot treble, or exaggerated bass. Linear playback without attention being drawn to any particular part of the bandwidth is the hallmark of well-designed components, and a well-curated sound system, one that works well together as far as I am concerned."
"That’s what Benchmark Media had put together in Chicago for AXPONA this year in room 670 at the Renaissance Schaumburg Hotel: a smooth, curated system... to showcase their AHB2 power amplifier, running here in bridged-mono mode and being directly driven by their DAC3 HGC DAC/headamp/preamp. "
"At 91dB efficiency, and four ohms nominal impedance, and powered bass units, the ESL 11A presents a unique challenge for amplifiers in the way the signal is handed off, since the bulk of the work is going into making sure those big curved ‘stat panels are being given not only the watts they need to perform best, but the current as well. Here the AHB2’s linear amplification design excels, as a pair running in bridged-mono delivers 480 watts into six Ohms, and 29 A (peak) of current/channel."
"Whether there was rock, jazz, classical, or even electronic playing while I was in the room, the Benchmark DAC/Pre/Power combo had a way with digital files that seemed to never put a foot wrong, and maintained a balance between resolution, dynamics, and believable acoustic warmth in instruments, and vocals."
- Rafe Arnott, PartTimeAudiophile.com
"This contest produced another tie, and yet another contrast between two wildly different philosophies—economical, if not technical. As Jim Austin pointed out in his initial review, the DAC3 HGC D/A processor from Benchmark Media Systems—a company known for making pro-audio as well as domestic-audio gear—sells for less than the price of certain high-end interconnects. The dCS Vivaldi D/A processor sells for 16 times the Benchmark's price, and in our pages was first reviewed, by Michael Fremer, as part of a $114,996 dCS digital front end."
"Both DACs impressed their respective reviewers with magnificent sound—and in his measurements for both, John Atkinson offered the same one-word conclusion: "Wow!""
"In my September 2018 column, I wrote of my discovery of miniDSP's U-DIO8, which converts multichannel data fed to its USB port to eight S/PDIF or AES-EBU outputs at resolutions of up to 24-bit/192kHz. Armed with a U-DIO8, you can use three or four of your choice of stereo DAC."
"I went commando with the DAC3s directly connected to the three AHB2s. All three DAC3s were set to Home Theater Bypass, and I used JRiver Media Center's volume control."
"For the first time I can recall, I heard no noise from my system, even with an ear flush against a tweeter."
"I know that we audiophiles can obsess about small changes and make them seem more important than they actually are, but that's what this hobby is about: Eliminating as many audible flaws as possible, however tiny. In this case, the effect was striking at first listen, and endured through everything I played, even tracks that had troubled me before."
- Kal Rubinson, Stereophile
"RMAF 2018 was really good, with significant numbers of attendees, and more new-product introductions than I remembered ever seeing there."
"Led by engineer John Siau and based in Syracuse, New York, Benchmark Media Systems has built a sterling reputation for making compact, well-engineered, moderately priced electronics that challenge the state of the art, both on the test bench and in the listening room."
"What I took notice of were the specifications: total harmonic distortion of less than 0.00006%, and a signal/noise ratio exceeding 135dB from 20Hz to 20kHz."
"If those claims are true, and there’s no reason to believe they aren’t -- Benchmark gear has always performed as specified on the test bench -- the LA4 should be about as transparent-sounding a line-stage as you can find at any price."
- Doug Schneider, SoundStage! Hi-Fi