Benchmark's DAC3 HGC—the last three letters designate this as the audiophile version, with a headphone amp and two analog inputs—supports files up to 24/192 and DSD64, the latter as DoP (via USB). Bearing in mind the manufacturer's suggestion that there should be no audible difference between their DAC1 and DAC3, Jim Austin wrote, "In fact, I found the sounds of the two DACs quite different. The DAC1 was brighter . . . the DAC3 was all about depths, in several respects . . . I heard deeper into the music." The concise conclusion to John Atkinson's Measurements sidebar: "All I can say is 'Wow!'"
'Class A+' is Stereophile's highest classification for digital processors. Stereophile defines Class A and the digital processor Class A+ as follows:
"Best attainable sound for a component of its kind, almost without practical considerations; "the least musical compromise." A Class A system is one for which you don't have to make a leap of faith to believe that you're hearing the real thing. With Super Audio CD, DVD-Audio, and Hi-Rez PCM and DSD files now available, we have created a new Class, A+, for the best performance in those digital categories."
In a Follow-Up, Jim Austin wrote of using the Benchmark processor with the same company's AHB2 power amp—a combination of high source output voltage and modest amplifier gain that he describes as "optimal for minimizing noise and distortion"—and reported hearing "richer and more interesting" reproduction of very subtle details.
The DAC3 HGC was one of three products to receive Stereophile's top award for 2018, the "Overall Component of the Year".
The DAC3 HGC was also nominated as a finalist for Stereophile's "2018 Headphone Product of the Year". Ultimately, this award went to the Audeze LCDi4 in-ear headphones.
"Before I dig into the sound of the LA4 it is important to know that it employs a wide bandwidth design. The LA4’s bandwidth is specified at 0.2 Hz to 500 kHz."
"Most of the wide bandwidth designs I have heard exhibit ... a purity in tone with superb timing and speed ... the LA4 proved to be no exception."
"The Benchmark LA4 yielded a change that was quickly apparent in several areas. Notably were; bass, upper midrange, treble, low-level listening, and the ability to distinguish the colorations of other components that were contributing to my overall sound."
"Acoustic guitar, piano, and harmonica among many other instruments are presented with speed, clarity, and coherency that made them sound more “present” in the room and less like a recording."
"The Benchmark LA4 is simply the most transparent, least colored, and most revealing component I have had in my system to date. I look forward to it joining my stable of reference components."
"Highly recommended."
- Ken Redmond, The Audio Beatnik
"This little unit will change the way you look and listen to amplifiers."
"My first taste of this remarkable new amplifier came earlier this year in April at Chicago's AXPONA where I discovered it driving a newly redesigned Studio Electric Pasadena loudspeaker, also bearing the Benchmark trademark. Now called the SMS1, the Pasadena's crossover had been reworked by Benchmark, upgraded with very low tolerance components, and the new look, more in line with the look of the rest of the Benchmark product line up, had been adopted."
"The subsequent sound in this room was one of the most musically engaging I encountered at this year's event, a remarkable result considering its modest overall system price of just over $7000, sans source."
- Greg Weaver, EnjoythMusic.com
"Benchmark's LA4 is the widest-bandwidth, widest-dynamic-range, lowest-noise, lowest-distortion preamplifier I have encountered."
- John Atkinson, Stereophile
"The LA4 is probably the most transparent and revealing audio component I've ever used. It does not seem to leave any fingerprints on the sound."
- Kalman Rubinson, Stereophile
"Class A" is Stereophile's highest award for preamplifiers.
