DAC3 & AHB2 in 5.1 Surround - Kalman Rubinson, Sterophile
DAC3 & AHB2 in a 5.1 System
"In my September 2018 column, I wrote of my discovery of miniDSP's U-DIO8, which converts multichannel data fed to its USB port to eight S/PDIF or AES-EBU outputs at resolutions of up to 24-bit/192kHz. Armed with a U-DIO8, you can use three or four of your choice of stereo DAC."
"In the course of writing about the U-DIO8, I became attached to using a trio of Benchmark Media Systems DAC3 HGC DACs as part of my review of Paradigm's Persona 5F loudspeaker in last month's issue, and figured that they might benefit from a symbiotic relationship with Benchmark's AHB2 stereo power amplifier, which I reviewed in November 2015."
"I went commando with the DAC3s directly connected to the three AHB2s. All three DAC3s were set to Home Theater Bypass, and I used JRiver Media Center's volume control."
"For the first time I can recall, I heard no noise from my system, even with an ear flush against a tweeter."
"I know that we audiophiles can obsess about small changes and make them seem more important than they actually are, but that's what this hobby is about: Eliminating as many audible flaws as possible, however tiny. In this case, the effect was striking at first listen, and endured through everything I played, even tracks that had troubled me before."
- Kal Rubinson, Stereophile
Also in Reviews
DAC3 Review - Alan Sircom, hi-fi+
"A Damn Good, No-Frills Digital Converter"
"Benchmark Media Systems’ no-nonsense approach to all things audio is rare today."
"Uniformly Good"
"This is a DAC that’s uniformly good at everything. It resolves well, has good imaging properties."
"It makes a balanced, honest sound that allows you to sit and listen to music for hours. That is what makes Benchmark’s products consistently popular with audio engineers. You don’t want ‘bright’ if you sit at a mixing desk 10 hours a day. "
"Leave No Trace"
"It also has the latest version of Benchmark’s jitter attenuation system (UltraLock3) and doubles down on the digital demon with its multi-mode asynchronous USB system."
"Benchmark also uses the distortion compensation facilities built into the ESS chip to reduce second and third order distortion."
"The net result is a DAC that delivers lower distortion, lower noise, less passband ripple, faster signal switching and locking onto signals and a more linear frequency response."
"The Benchmark Media Systems DAC3 B is very much in the ‘leave no trace’ school of good audio."
- Alan Sircom, hi-fi+
DAC3 - Award Nominee - Best Digital Audiophile Product of 2024 (Cost No Object)
2024 Nominees
- Benchmark Media DAC3 B DAC, $1895
- Bricasti M3 DAC, $6000
- Bricasti M19 CD-SACD Player, $10,000
- T+A DAC 200, $7620
- Weiss Engineering Helios DAC, $21,995
"There was some debate about whether anybody can hear the differences above a good Chi-Fi DAC like the Topping D90. Unless you are missing most of your high-frequency hearing, you can hear where a high-end DAC makes a difference."
The Bricasti M3 is a great example of that performance in a $6,000 DAC."
"The Benchmark DAC3 B is an audiophile DAC, with pro audio roots, that punches way above its weight."
LA4 Review - Mike Prager, FutureAudiophile.com
"Benchmark Media Systems made its reputation in both pro audio and audiophile circles by designing gear with extraordinarily low noise and distortion, and selling it at reasonable prices."
"What Makes the Benchmark LA4 Preamp So Special?"
"A high-quality volume control is much of what makes a superior preamp shine, and the Benchmark’s volume control is outstanding. The Benchmark LA4 uses a bank of precision resistors switched by gold-contact relays to set volume in 256 steps of 0.5 decibels each."
"If accurate reproduction is your wish, you won’t find a preamp with meaningfully better objective performance than the Benchmark LA4, especially one made in the United States at anything near the LA4’s price."
"Very few preamps at any price reach the LA4’s level of objective performance."
"On the subjective end of things, the Benchmark LA4 preamp puts the lie to the old audiophile myth that neutrality means clinical, cold, or sterile sound. Instead, here neutrality means musical, involving sound, with precise, stable imaging, a sense of space (if one is on the recording), and exceptionally truthful timbres."
- Mike Prager, FutureAudiophile.com