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LA4 Review - The Audio Beatnik
"Before I dig into the sound of the LA4 it is important to know that it employs a wide bandwidth design. The LA4’s bandwidth is specified at 0.2 Hz to 500 kHz."
"Most of the wide bandwidth designs I have heard exhibit similar characteristics ... a purity in tone with superb timing and speed that is quickly apparent and the LA4 proved to be no exception."
"It didn’t take very long for me to grasp how the LA4 impacted the sound of my system. Replacing the zero gain, output buffered, Denafrips Athena with the Benchmark LA4 yielded a change that was quickly apparent in several areas. Notably were; bass, upper midrange, treble, low-level listening, and the ability to distinguish the colorations of other components that were contributing to my overall sound."
"The top end of this preamp is a pleasure to listen to."
"Acoustic guitar, piano, and harmonica among many other instruments are presented with speed, clarity, and coherency that made them sound more “present” in the room and less like a recording."
"As for the bass, while it seems counterintuitive, I have come to understand that the quality/timing of bass has a huge impact on the quality of the treble. Get the bass impulse response (timing) correct and the treble will open and take on a more natural feel as you listen."
"Indeed, I found the bass response to be some of the most natural I have had in my room and very well integrated with the rest of the music."
"The Benchmark LA4 is simply the most transparent, least colored, and most revealing component I have had in my system to date. I look forward to it joining my stable of reference components. Highly recommended."
- Ken Redmond, The Audio Beatnik
Also in Reviews
Why do you own Benchmark products? - AudioScienceReview.com
Why Did You Buy Benchmark Gear?
"I'm asking because clearly Benchmark is a highly regarded company here, and plenty of ASR members own Benchmark amplification/DACs. We know they are top of the heap in terms of measured performance, outdoing plenty of the competition in terms of typical distortion measurements."
- @MattHooper, AudioScienceReview.com
AHB2, LA4, DAC3
- Subtle aesthetics? Check.
- Unobtrusive size? Check.
- Solid build? Check.
- Made in America? Check.
- Transparent? Check.
- Best in class? Check.
- Superior performance proven by Amir? Check.
- Superior customer service? Check (and not just in audio world; best customer service I have experienced from any company, anywhere, ever).
- Expensive? For me, yes. Limit of my budget, but buy once cry once.
- Worth it? Yes.
- Would I do it all again? Absolutely.
- @KellenVancouver, AudioScienceReview.com
AXPONA Review - Secrets of Home Theater and High Fidelity
"The afternoon before the start of the show I ran into John Siau of Benchmark Media Systems. He says to me quietly, “make sure you stop in our room, we have a surprise!” With curiosity suitably piqued, Co-Editor Jim Clements and I paid a visit ..."
"The results were pretty astonishing. A stable, enveloping stereo image that was devoid of any distortion whatsoever."
- Carlo Lo Raso, Secrets of Home Theater and High Fidelity
AXPONA Show Report - Stereophile Magazine
"Sound was extremely well-integrated and controlled, and the bass memorable."
"The Note received signal through the introductory version of the company's Liquid Cables. Each cable contains 27,000 wires. The company's introductory Elephant memory player joined Benchmark Media's AHB2 power amps, DAC3 B D/A processor, and interconnects."
"With the aid of a forthcoming DEQX HDP4 processor that's due in the fall, the system sounded super on a 16/44.1 file of the famed rendition of Copland's Fanfare for the Common Man, recorded by Eiji Oue and the Minnesota Orchestra for Reference Recordings."
- Jason Victor Serinus, Stereophile Magazine