DAC3 B & LA4 - RMAF 2018 Show Report, SoundStage!
DAC3 B, LA4 - "The New Benchmark Stack"
"Benchmark Media Systems used RMAF 2018 to launch two new products that it was able to lump together into one neat little stack."
DAC3 B - "Deletes the Volume Control and Headphone Amplifier"
"On the top is the DAC3 B, which has the same basic circuitry as the company’s more expensive DACs, but deletes the volume control, polarity and mute buttons, and headphone amp found on those models. The omission of those features is the reason for the B -- it means basic -- as well as a price that’s lower than its other DACs."
LA4 - "Volume is Controlled by Dual 256-step Attenuators"
"On the bottom is the LA4 linestage preamplifier..."
"The LA4 has two pairs each of single-ended (RCA) and balanced (XLR) inputs, and boasts some impressive specs: THD of less than 0.00006% and a signal-to-noise ratio exceeding 135 dB from 20 Hz to 20 kHz."
"Volume is controlled by dual 256-step attenuators that operate in 0.5 dB increments. Another feature is a touchscreen that can be used to adjust channel balance, to rename or offset the level of inputs, and to adjust screen brightness, as well as other things."
- Doug Schneider, SoundStageGlobal.com
Also in Reviews
DAC3 Review - Alan Sircom, hi-fi+
"A Damn Good, No-Frills Digital Converter"
"Benchmark Media Systems’ no-nonsense approach to all things audio is rare today."
"Uniformly Good"
"This is a DAC that’s uniformly good at everything. It resolves well, has good imaging properties."
"It makes a balanced, honest sound that allows you to sit and listen to music for hours. That is what makes Benchmark’s products consistently popular with audio engineers. You don’t want ‘bright’ if you sit at a mixing desk 10 hours a day. "
"Leave No Trace"
"It also has the latest version of Benchmark’s jitter attenuation system (UltraLock3) and doubles down on the digital demon with its multi-mode asynchronous USB system."
"Benchmark also uses the distortion compensation facilities built into the ESS chip to reduce second and third order distortion."
"The net result is a DAC that delivers lower distortion, lower noise, less passband ripple, faster signal switching and locking onto signals and a more linear frequency response."
"The Benchmark Media Systems DAC3 B is very much in the ‘leave no trace’ school of good audio."
- Alan Sircom, hi-fi+
DAC3 - Award Nominee - Best Digital Audiophile Product of 2024 (Cost No Object)
2024 Nominees
- Benchmark Media DAC3 B DAC, $1895
- Bricasti M3 DAC, $6000
- Bricasti M19 CD-SACD Player, $10,000
- T+A DAC 200, $7620
- Weiss Engineering Helios DAC, $21,995
"There was some debate about whether anybody can hear the differences above a good Chi-Fi DAC like the Topping D90. Unless you are missing most of your high-frequency hearing, you can hear where a high-end DAC makes a difference."
The Bricasti M3 is a great example of that performance in a $6,000 DAC."
"The Benchmark DAC3 B is an audiophile DAC, with pro audio roots, that punches way above its weight."
LA4 Review - Mike Prager, FutureAudiophile.com
"Benchmark Media Systems made its reputation in both pro audio and audiophile circles by designing gear with extraordinarily low noise and distortion, and selling it at reasonable prices."
"What Makes the Benchmark LA4 Preamp So Special?"
"A high-quality volume control is much of what makes a superior preamp shine, and the Benchmark’s volume control is outstanding. The Benchmark LA4 uses a bank of precision resistors switched by gold-contact relays to set volume in 256 steps of 0.5 decibels each."
"If accurate reproduction is your wish, you won’t find a preamp with meaningfully better objective performance than the Benchmark LA4, especially one made in the United States at anything near the LA4’s price."
"Very few preamps at any price reach the LA4’s level of objective performance."
"On the subjective end of things, the Benchmark LA4 preamp puts the lie to the old audiophile myth that neutrality means clinical, cold, or sterile sound. Instead, here neutrality means musical, involving sound, with precise, stable imaging, a sense of space (if one is on the recording), and exceptionally truthful timbres."
- Mike Prager, FutureAudiophile.com