HPA4 and AHB2 Review - Fidelity Online
HPA4, AHB2 - "No Ifs or Buts"
"The benchmark combination offers a full range of equipment that can hardly be topped, leaves nothing to be desired in terms of sound, and meets professional requirements without any ifs or buts."
HPA4 - "Has the HiFiMan 100% Under Control"
"Two very different headphones were used to check the capabilities of the corresponding output on the benchmark pre: my ultra-light, electrically undemanding Grado SR80, which regularly has a sound that is far too good for the price range, and a HIFIMan Sundara, an officially high-end magnetostat."
"The benchmark shows what it's capable of..."
"The HPA4 has the HIFIMan one hundred percent under control, eliciting neutral timbres, tons of spatial information and crisp dynamics."
"My current favorite record, Origami Harvest by the American jazz trumpeter Ambrose Akinmusire, whose mix of hard rap, classic string quartet and eruptive jazz combo is not for beginners, flows so neatly into the ear that it is a pleasure."
"If the design goal was to construct a reinforcing piece of wire, then it has been achieved."
"Operation via the touchscreen and the level control that switches a record-breaking resistor network is fun and at the same time gives you a pleasant studio feeling - at least if you mean the same thing as I do by “studio”, namely precision, control, perfect reproducibility and absolute reliability."
AHB2 - "First Choice for Driving Difficult Boxes"
"When the decision was made one day to bring the first regular power amplifier onto the market, the requirements were clear: What was needed was maximum energy efficiency, low distortion at the limit of the measurable, and no sound of its own."
"It is indeed an achromatic enhancer, pure as a spring wind. A spring wind with power."
"The AHB2 is a class H amplifier in which a switched-mode power supply supplies a class AB circuit and, thanks to the variable voltage supply, reduces power consumption enormously."
"The basis of the circuit is a combination of negative feedback with the extremely efficient, but far seldom used principle of interference suppression by means of feedforward error correction. In German this is called “Mitkopplung” and means - to put it very briefly - the supply of the phase-inverted distortion component to the output signal."
"It amplifies the signal supplied and otherwise stays out of everything."
"I connected everything the household had to offer in terms of speakers - Spendor S3 / 5, Ayon Seagull / c, Quad ESL57. It goes without saying that the American coped with the dynamic boxes with ease. But even the quads, which have some meanness on the part of their impedance, did not pose a challenge for the amp."
"In short, it is the best tool and therefore the first choice for everyone who wants to drive difficult boxes to maximum performance without going into personal bankruptcy."
- Michael Vrzal, Fidelity Online
Also in Reviews
Benchmark System Review - Ricky Dasler, Living Sound, New Zealand
"With over 40 years as an audiophile and more than half those years as a hi-fi retailer, I feel I’ve finally put together a stereo that ticks all my sonic boxes. Those being in order of priority, dynamics, scale, tonal accuracy, fatigue free resolution and soundstage."
"For the last 25 years I’ve been fortunate to have a dedicated listening room. I use acoustic treatments from Real Traps, Vicoustic and Primeacoustic."
"My Benchmark components consist of the DAC3 B (connected to a Naim NDS streamer), LA4 line amplifier and two AHB2 power amplifiers run in bridged mono mode. All cables are Benchmark too."
"The Benchmark gear in my system has brought what I have wanted in my list of sonic priorities as listed above and then some. They have delivered way beyond what I thought could be possible in my system in my room."
"I’m delighted and stunned daily as my vast music collection comes to life on a whole new level."
- Ricky Dasler, Living Sound, Nelson New Zealand.
Benchmark Converters at Abbey Road - Geoff Pesche
"What are the Latest Advancements in Mastering?"
"Geoff Pesche weighs in on how the mastering team at Abbey Road Studios achieve first-class results." - Mix with the Masters
"The biggest sonic improvement in mastering in the last 5 or 6 years is D/A and A/D converters and that's very very important - what you have at the front and the back of the chain."
"We use fairly new Benchmark converters front and back."
"Abbey Road like a uniformity between the rooms so all of the rooms have the same A/D and D/A conversion."
- Geoff Pesche, Mastering Engineer, Abbey Road Studios
DAC3 Review - Alan Sircom, hi-fi+
"A Damn Good, No-Frills Digital Converter"
"Benchmark Media Systems’ no-nonsense approach to all things audio is rare today."
"Uniformly Good"
"This is a DAC that’s uniformly good at everything. It resolves well, has good imaging properties."
"It makes a balanced, honest sound that allows you to sit and listen to music for hours. That is what makes Benchmark’s products consistently popular with audio engineers. You don’t want ‘bright’ if you sit at a mixing desk 10 hours a day. "
"Leave No Trace"
"It also has the latest version of Benchmark’s jitter attenuation system (UltraLock3) and doubles down on the digital demon with its multi-mode asynchronous USB system."
"Benchmark also uses the distortion compensation facilities built into the ESS chip to reduce second and third order distortion."
"The net result is a DAC that delivers lower distortion, lower noise, less passband ripple, faster signal switching and locking onto signals and a more linear frequency response."
"The Benchmark Media Systems DAC3 B is very much in the ‘leave no trace’ school of good audio."
- Alan Sircom, hi-fi+