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by Benchmark Media Systems July 14, 2016
"At work on the Phil Collins remasters in Abbey Road's mastering studio were (l-r): mastering engineer Miles Showell; artist/curator Phil Collins; and producer Nick Davis."
"Abbey Road Studios recently spent nine months remastering Phil Collins’ eight solo albums for a new reissue campaign across digital, CD and vinyl formats. Curated by Collins himself, the project faced a number of challenges, as the 30-years worth of album masters were recorded across a variety of media."
"Long-time Collins collaborator, Grammy-nominated Genesis producer and soundman Nick Davis oversaw the nine-month remastering project with Abbey Road Mastering engineer Miles Showell."
"The first thing Showell did was to record high-resolution versions of the albums on the SADiE 6 workstation in his studio at Abbey Road, so he could work on the albums without having to keep playing the potentially problematic master tapes. The two analogue-mastered albums were mastered to 24-bit, 96kHz files via Abbey Road's externally word-clocked Benchmark Audio converters, and the later digital album masters were upsampled to 96kHz."
By ProSoundNetwork Editorial Staff
Read the entire article at ProSoundNews →
by Benchmark Media Systems June 02, 2025
"Geoff Pesche weighs in on how the mastering team at Abbey Road Studios achieve first-class results." - Mix with the Masters
"The biggest sonic improvement in mastering in the last 5 or 6 years is D/A and A/D converters and that's very very important - what you have at the front and the back of the chain."
"We use fairly new Benchmark converters front and back."
"Abbey Road like a uniformity between the rooms so all of the rooms have the same A/D and D/A conversion."
- Geoff Pesche, Mastering Engineer, Abbey Road Studios
by Benchmark Media Systems May 13, 2025
"Benchmark Media Systems’ no-nonsense approach to all things audio is rare today."
"This is a DAC that’s uniformly good at everything. It resolves well, has good imaging properties."
"It makes a balanced, honest sound that allows you to sit and listen to music for hours. That is what makes Benchmark’s products consistently popular with audio engineers. You don’t want ‘bright’ if you sit at a mixing desk 10 hours a day. "
"It also has the latest version of Benchmark’s jitter attenuation system (UltraLock3) and doubles down on the digital demon with its multi-mode asynchronous USB system."
"Benchmark also uses the distortion compensation facilities built into the ESS chip to reduce second and third order distortion."
"The net result is a DAC that delivers lower distortion, lower noise, less passband ripple, faster signal switching and locking onto signals and a more linear frequency response."
"The Benchmark Media Systems DAC3 B is very much in the ‘leave no trace’ school of good audio."
- Alan Sircom, hi-fi+
by Benchmark Media Systems December 01, 2024
"There was some debate about whether anybody can hear the differences above a good Chi-Fi DAC like the Topping D90. Unless you are missing most of your high-frequency hearing, you can hear where a high-end DAC makes a difference."
The Bricasti M3 is a great example of that performance in a $6,000 DAC."
"The Benchmark DAC3 B is an audiophile DAC, with pro audio roots, that punches way above its weight."